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It’s true that one
good idea can make
you millions. But
it’s not enough just
to have a good idea
for an invention.
You also have to
think about
patenting it,
creating a
prototype, looking
for financial
backing and
marketing the
finished product. It
can be a risky
hassle, but if it’s
done right, it can
be well worth the
trouble.
So in this interview
you’ll meet John
Abdo. John is a
fitness trainer,
motivational coach
and former host of a
health-and-fitness
TV program that ran
from 1985-1997.
Toward the end of
the show’s run, it
started losing money
and so did John. He
was almost bankrupt
in 1999 when he had
to liquidate his
assets and sell his
house. But because
John was actively
marketing a new
invention, he
quickly ended up
back on top.
The revenue from
that invention
brought John from
near-bankruptcy to
millionaire. And in
this three-hour,
three-part audio
you’ll hear exactly
how he did it. John
had no idea what he
was doing when he
first started out.
He was just a guy
with a positive
attitude and a great
idea. And you’ll get
to hear all of the
steps he took to
bring his idea to
fruition and all of
the many lessons he
learned along the
way.
You’ll also hear…
-
What an
“inventor’s log”
is and how
keeping one can
help you prove
the rights to
your product in
court
-
What a patent is
and why you
might want to
think about
applying for a
provisional one
rather than a
traditional one
-
When to go to a
patent attorney
and how to pick
a good one
-
Why you should
think twice
before using an
invention
submission
company
-
What an “angel
investor” is and
ways to find one
-
What to look for
in a production
company and some
important
questions to ask
to make sure
they can handle
the job
-
How to ensure
your contract
negotiations
include all of
the roles you’ll
be contributing
so that you make
the most of your
time and effort
-
And much, much
more
John also talks
about the
infomercial industry
where, according to
him, 97 percent of
all infomercials
fail. So he goes
over ways to market
your new product
that will really get
the phones ringing
and ways to make
sure your
telemarketers aren’t
blowing those calls.
Unfortunately, most
inventors don’t get
rich from just
scribbling an idea
on a napkin. There
are many facets to
the game, and John’s
story is a good
example of how to
make the most of
every one of them.
So, if you’ve got a
great idea but
you’re not sure what
your next step
should be, this is
the interview for
you. It’s both
informational and
inspirational. This
super interview is
in three parts each
about one hour long.
Enjoy.
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John: My first royalty check was $3,400.
The second one was $8,400. The third one
was $34,000. The fourth one was $84,000.
That was per month. It grew up to
$125,000 per week. It was just
incredible. So, being $100,000 in debt,
I put a goal of my money. I needed to
get that $100,000 back, and I was
earning well over $100,000 per week.
Ultimately, it became the number one
product in the world.
Music
Hi there. It’s Michael Senoff, with
Michael Senoff’s HardToFindSeminars.com.
I’ve got a three hour interview with a
guy who sold over 400 million dollars
worth of exercise equipment. This is an
amazing journey, an amazing interview.
Let me tell you a little bit more about
him. I’m pleased to introduce to you
John Abdo. John Abdo is regarded
around the world as an authority on
motivation, health, fitness and athletic
conditioning. He was a former Olympic
trainer. He’s trained numerous Olympic
and world class athletes including speed
skater Bonnie Blair. She was a multiple
gold medal recipient. He’s recently
introduced into the National Fitness
Hall of Fame. From 1985-97, John
produced and hosted his own weekly
syndicated television series called
Training and Nutrition where he
interviewed geniuses and all the
authorities in health and nutrition. He
had an audience reaching over fifty
million households. He established
himself as one of the most visible
motivational educators for legions of
athletes, fitness enthusiasts, coaches
nationwide. Many of John’s programming
and commercial advertising techniques
for his own self-created marketing
creations and they form many branches in
TV and educational programming. Today,
John has over three million people in
120 countries using his products,
training systems, or hearing his
motivational principles. He’s a highly
in demand editorial consultant. He makes
regular contributions for popular
magazines like Men’s Health, Details,
Outside, Women’s World, and even Muscle
and Fitness. This is one of the most
dedicated guys I’ve ever met to helping
other inventors. He conducts seminars to
educate and motivate inventors on both
what to do and what not to do. In 1999,
John was nearly bankrupt and about
$100,000 in debt. By the end of 2001,
John’s products and services had
generated nearly $400 million. If you
watch television infomercials, you may
even be familiar with his product called
the Abdoer. With nearly $75
million in media expenditure, his
invention was voted number one product
in 2001. It was outselling all the other
top four products combined in his
category. John has also been the
recipient of the best fitness presenter
award by the Electronic Retailing
Association for generating the most
revenue from his live and pre-recorded
television appearances. On live shopping
channel alone, John has generated over
$30 million in sales, and scored the
single day record of $2.5 million in
sales. John’s latest inventions include
the Bun and Thigh Doer, Contour Weights,
Waist to Waist Conditioning System and
many more. What makes John so unique and
valuable is that he’s not only the
product inventor, he’s also the
product’s on-air spokesperson. He’s the
program developer. He’s the strategic
marketer, and much, much more. In the
next three hours, you’re going to hear
in detail about how John got started,
his humble beginnings, his challenges on
the way to ultimate success. You’re
going to hear John reveal secrets that
he’s never revealed before about the
insides of the television infomercial
industry. You’re going to gain knowledge
and access to John’s contacts through a
unique conglomeration of contacts that
he’s built over the years, and he’s
going to show you how to use his
contacts to give you a better chance in
developing and creating and marketing
your own invention through television.
Get ready, let’s get going.
John: Without inventors, you wouldn’t be
sitting on the chair that you’re sitting
on. I wouldn’t be talking on the phone
I’m talking on. I wouldn’t be able to do
my morning business. I wouldn’t be able
to do anything without inventors.
Everything that you could see right now
and for the rest of your day is a
thought turned into a thing.
We need inventors. We need the ideas.
The thing is the idea people aren’t the
marketing people most of the time. So, I
have always seen and shared a
commonality with all inventors. We don’t
know who to trust. We don’t know where
to go. We’ve been ripped off before. We
don’t know if we’re going to get paid on
all our units. We don’t know if we’re
making the wrong decisions. It’s fear,
fear, fear, fear.
So, I’m here to protect inventors. I’m
here to tell inventors I love them.
They’re my brothers and sisters. I’m
encouraging that because I’ve tried as
well as everyone tries an innovation.
Without inventors, the world would not
be as fast, as safe, as productive, as
happy as it could be, as it should be.
Inventors are what makes the world tick.
Michael: That is so true. I’m sitting
here in front of my computer. I’m
looking at my computer. I’m looking at
my lamp. I’m looking at a flash card, a
pair of scissors, my video camera, label
writer, label machine, my calculator, my
stapler, Scotch tape and a pen. All of
these things are inventions.
I think it’s really important for the
listeners here to get an idea where you
came from and how this all started
because all your learning was based on
your journey from the humble beginnings
and the struggles and all the way
through. So, if the listeners will bare
with and listen to your story from the
beginning, I think it’s really going to
benefit them to see how you go there,
and we’re going to talk about this
alliance you set up in detail towards
the end of the interview.
But, let’s take the listener on a
journey. Let’s start from the beginning.
Is that okay?
John: Yes.
Michael: What sport were you training in
for your Olympics?
John; My specific sport was Olympic
weight-lifting. Olympic weight-lifting
is not a very popular American sport,
but it’s a fascinating sport. A lot of
people describe it as doing gymnastics
with weights. The lifts are called the
snaps and the clean and jerk, and you’re
actually flipping weights up overhead,
and it takes a lot of technical skill
not just strength. There’s a lot strong
guys that lose to the technical guys.
So, it took strength. It took skill, a
lot of training, a lot of precision.
The thing I loved about it in addition
to the specific weight training
techniques for Olympic weight lifting,
and there’s two other sports –
bodybuilding, which you pose and show
off your body that’s not an Olympic
sport, and that’s very popular, but it’s
more cosmetic, and power lifting. Power
lifting is the bench press, the squat
and the dead lift. That’s not an Olympic
sport even though it does require a lot
of technique. It’s mostly known for it’s
brute strength.
Olympic weight lifting is an Olympic
sport, and being an aspiring Olympic
athlete, it exposed me to athletes and
coaches and training principles around
the world. It was just fantastic because
the techniques with that allowed me to
do what we call remedial or adjunct
training, which took you outside of the
weight training environment, but we did
plyometrics. We did field strength
training, running bleachers, jumping,
all types of flexibility exercises.
On our days of rest, we had what we call
active rest. We played basketball or
volleyball or things like that. As
athletes, we were constantly active, and
then when I decided to start coaching
other athletes outside my specific
sport, the great thing about it, I
started learning that again a nine year
old female figure skater was benefiting
from these techniques because they’re
techniques that anybody could use, so
you don’t have to specifically compete
at the sport I was competing in.
For instance, if I played football, I
taught football techniques, those
techniques may only be good for football
players, but they may not be good for
female figure skaters. The weight
lifting techniques along with other
strength training is prevention injury
rehabilitation techniques which I also
studied and applied again Michael were
advantageous for all kinds of athletes.
Michael: John, tell me more about the
television show that you had produced.
TV Guide Magazine ranked that as one of
the number one shows at that time.
John: It was ranked the number one
educationally based fitness show. Other
fitness shows are watch and participate.
You turn on, and you do your aerobic
dance to the guy or the gal or the team
that was teaching it, or other fitness
shows were fine certain competitions,
like, “Hey, let’s go and watch the
competitors compete.” My show was a sit
down, listen, and learn.
This was behind the scenes, what the
coaches, the trainers, the athletes, the
therapists did in the training center
before, during and after competitions to
prepare for and recover the athletes
from their competition. So, it was
highly educational, and myself being a
former Olympic athlete which this under
developed kid turning into an Olympic
athlete, I lived in training centers.
I was an athlete, but I always coupled
up as an athlete coach. I always coached
as I was competing. I jus had a knack
for it. I had a desire for it. I was
good at it, and I couldn’t hold back.
Hey, if I know something, I’m going to
want to share it with other people
especially my fellow athletes.
So, one thing led to another to where I
started strength coaching athletes, and
the beautiful thing about the strength
training and sports enhancement training
techniques that I was learning over the
years, it was applicable to all
athletes. I could train big, strong
heavy professional football players, but
at the same time at the same strength
training center, I was working with nine
year old female figure skaters.
So, I was able to learn and apply
successfully the techniques that were
advantageous to the improvement of any
type of athlete no matter what sport
they were in, and any age level and
level of ability. They were healthy to
make them even better. If they were
injured, to make them recover from
injury.
I work in conjunction with physical
therapists and orthopedic surgeons
because I’m not a doctor. So, we work
well as a team.
Michael: Tell me the years the show ran,
and tell me some of the big names that
the listeners would recognize of some of
the athletes that you had interviewed
during those years.
John: The show started in 1985, and I
remember producing my first show which
proceeded me being a guest on shows.
Being a guest, what you’re doing right
now, you ask me a question, and I answer
it. I don’t have notes here. It’s like I
know my business. I know my life, and
I’m able to answer it.
One day, the host of the show calls me
up on the phone and we became friendly
over time. He says, “John, I’m quitting
the show. I want to go back to school.”
I thought there was the end of my
television career. I had aspired to be
on TV to teach the masses health and
fitness and strength training and all
this other stuff.
The studio director and some of the
other producers of the show – this was
just a local cable show in the
Chicagoland area – says, “John, you’ve
got to continue on with the show.” I
told them I don’t have any understanding
of how to produce a TV show. This was
back in 1985, and they says, “John,
you’ve gotten really good in front of
the camera. Our audience is liking you.
We’re getting letters. Let’s turn your
little segment,” which I had like just
ten to fifteen minutes in a half hour
show, “into a full half hour show with
John Abdo.”
So, October 21st, 1985, I remember it
specifically, I produced my first TV
show and that show ran for twelve and a
half years from that point forward. I
think I had like a two week hiatus
because that was back in the days when
cable was just starting, and on TV and
the sports channels and the prime
networks.
My two week hiatus was one of the big
networks bought another network, I think
Time bought Sports Channel, and they had
to turn down the transponders which
supplied their feed just to synch up
their whole system. So, technically I
was on the air straight for twelve and a
half years, and it was just fantastic.
The guests I’ve had on my show – Corey
Eberson, all time female decorated body
builder, the Olympic athletes that I’ve
had like the teams, the Bonnie Blairs of
the world. I did features with the
Chicago Bulls because I was in Chicago
at the time, the Chicago Bears, the
Chicago Blackhawks, Lou Ferrigno. The
list goes on and on.
It was really wonderful, and for me,
it’s almost like the position that
you’re in. You get to interview all
these great people. I’ve been to your
website. It’s like, “Wow, Michael’s got
a great list of people that he’s been
able to interview.” Myself, being so
interested in this whole world of
strength training and sports enhancement
and ultimate physical peak performance,
now I was able to interview all these
people, and they were sharing their
secrets with me. Obviously, there’s so
much to get into a half hour show, and I
didn’t just interview them for a half
hour. We would do interviews much longer
and edited down to a half hour.
So, it made me so much more educated and
so much more of a better coach by the
exposure and the experience that I’ve
had from tapping into these other
sources.
Michael: It’s a great advantage. I mean,
you’ve already done for all those years
what I’ve been doing for the last four
or five years, just in a different field
– marketing and copywriting and
advertising. It’s great because you’re
never wasting time. You are training.
You are picking the minds of some of the
best in the world, and I’m doing the
same thing.
It’s a great use of your time even in
the production aspect of it. When you’re
editing, you’re always learning because
you have to listen to some of these
things two and three and four times, and
you can still pull out valuable
information.
John: That’s exactly true, and that’s an
interesting observation. It could
probably only come from somebody with
your type of experience or career path
because a lot of times when you hear
somebody say something especially if
they say it for the first time, a lot of
people may be naysayers or yeah right or
I’ll believe it when I really see it,
meaning that the techniques and the
advice that people are giving, it’s like
I believe it when I see it.
If people pursue the principles of that
method, that they’re waiting to see the
actual manifestations of the results or
the goals. When you’re working with
Olympic athletes and professionals
athletes, these people are at the top of
their game, the top on the globe on the
whole planet earth. These are people
that say that if you follow these
principles, you will reach success.
I instantaneously had faith and belief
and confidence in them, but what the
barrier was back then, and the reason
why I had a very large dedicated
athletic viewership, people who were
very interested in self help and
improvement and were willing to apply
the principles, was the fact that these
were new principles, unlike if you go to
a newsstand right now and you pick up
one of those magazines with the muscle
men on the cover. Those magazines are
just telling you how to make your body
bigger and more symmetrical, which is
great, but it wasn’t geared towards
athletic performance, and most, if not
all of those magazines are secretly
hidden, even though right now it’s been
pretty blatant, that they’re selling
supplements.
So, here’s this guy with all these
muscles, and he’s got two gorgeous women
hanging off his biceps, and his neck is
like, “Hey, if you use this supplement,
you’re going to look like this and
you’re going to be attractive in other
areas of your life.”
When I read these magazines, I see how
they’re misdirecting the audience. It’s
really not the way things are going, and
obviously, there’s a lot of these
athletes, and I say a lot, a high
percentage of them that are using
anabolic steroids and they’re promoting
natural supplements you can buy over the
counter, whether it’s a protein tablet
or a powder or some kind of a mixed
drink.
They’re promoting that you can get like
that to look like that with that
supplement, and it’s simply not true. I
talked about the good, the bad and the
ugly because there are ugly sides to
sports. There’s a lot of drugs involved
in sports. There’s a lot of illegal
tactics involved in sports.
A lot of people lives, the coaches and
the athletes thrive on it, and a lot of
careers are made as a result of them
reaching a certain level or
accomplishment like winning a gold medal
at the Olympic games. So, it’s the do or
die type of attitude.
Michael: Did you place in the Olympics?
What year Olympics were you at, and
where were they held?
John: I competed in the Olympic trials
in 1976, and unfortunately, I had a knee
injury. I look back now and not just now
but shortly thereafter, and that was
like the turning point in my career.
While I loved the sport so much and I
said, “Hey, I’m just concentrating on
this guy called John Abdo. I’m working
just for myself. Even though I have a
team in Olympic weight lifting, it’s an
individual sport.” You compete as a
team, but you’re not out there with a
bunch of other teammates.
What I decided to do after I got injured
at the Olympic trials in ’76, and before
that I had won a national championship.
I competed internationally four times. I
won numerous state championships and
regional championships. I was definitely
climbing the ladder.
What I took the focus off was me, and I
went to my we attitude and that’s been
my motto. It’s not about me, it’s about
we. I started coaching other athletes. I
found it so much fun because I was still
training, but the competitive drive that
it put on my body, my bones, my
hormones, my recuperative system were
taken off, and I was able to work with a
group of athletes, which when I went to
a competition, now all of a sudden I was
in charge of a lot of athletes, and I
found it far more enlightening for
myself to be a coach than an actual
athlete.
I had to obviously precede coaching with
being an athlete myself because it
taught me what you need to do as far as
disciplining yourself to the principles
of applying the result producing phases
of just enduring the process.
So, sports taught me. Sports taught me
how to stick to principle, how to stay
committed to principle, how when you get
knocked off of principle and when people
fall off track, how to get yourself
right back on track, if you get injured,
how to get uninjured and how to
recuperate. It was just fantastic, and I
use that today in my business. I use it
in my motivational speaking. I do a lot
of consulting.
I’m not just working with athletes
anymore. I’m working with inventors and
business people and entrepreneurs and
all types of people that are seeking
self betterment, and these principles
apply to everybody.
For instance, people say, “Well, how
could an Olympic athlete’s principles
apply to me? I’m just a housewife.”
Well, if you follow a certain principle,
even though it may not be an athletic
principle, and you adhere to that
principle, not just physically but
emotionally and intellectually and
spiritually, you will manifest great
results, and that’s what people don’t
understand and/or have the ability to
stay committed to because they don’t
have a coach. They don’t have a mentor.
So, when they have a coach or a mentor,
and I’ve seen so many athletes who
trained on their own, and were always
getting injured. As soon as they came
into the gym and they said, “Hey, John
can you and your assistant coaches train
me?” All of a sudden, they never got
injured after that, and they recovered
from their previous injuries. They were
probably training harder than they ever
trained before, so it doesn’t make
sense. If they’re training harder, how
come they’re not getting injured?
They were training smarter and wiser,
and they had a specific set of
principles that they adhered to that
allowed them to make that point A to
point B tap straight as opposed to
wiggling and squiggling which so many
people experienced going through life.
Everyone is shooting towards a
destination. Unfortunately, they’re
always veering off track.
Michael: Let me ask you this. What was
your personal best on the clean and jerk
overhead?
John: My personal best on a clean and
jerk was 352 pounds. I did a snatch of
281 pounds, and I competed in two weight
classes. I competed at 165, which I’m at
my plane weight right now at 52 years of
age. I actually look the same, so I’ve
been able to keep these principles
active in my life to at least look the
same and actually feel a lot better
because it’s a lot easier to stay
healthy when you take a lot of pressure
off your body.
As far as getting strong, it was just
such an interesting phenomenon and such
an ego boost, if you want to call it
that, but certainly a confidence boost.
When you’re able to accomplish something
like I remember as a kid there’s no way
I’m ever going to lift 300 pounds over
my head, or it was a goal where it’s
like, “Oh man, I would love to life 300
pounds over my head.”
Then, I remember one day, I was doing it
for repetitions, and I’m thinking to
myself, “Wow.” I remember years ago when
I had set this goal, and everyday,
Michael, that goal never left my mind
and never left my heart. It doesn’t even
left your cellular physiology. It
vibrates in your bed.
When you set a goal and you’re
determined to achieve it, you achieve
it. It’s just that some people, what I
have found, people that come to me, “I
have to lose weight. I’ve got to go on a
diet. Oh, I’ve got to do this.”
I ask people, the first thing because
being a coach, I want to know, number
one, how committed are you? If you’re
just a little bit committed, and I’ll
give you just a little bit committed
program that’s going to give you little
types of results, but if you’re really
committed, I’ll give you a really
committed program that’s going to
deliver real results, but it’s up to
you.
Being the coach and the instructor and
the motivator, a lot of people think
that I’m the miracle worker. I’m not.
I’m the one who designs the map, but
they’re the ones who are driving the
course themselves. So, it’s really
what’s in your heart.
I ask people, “Do you really want this?”
They go, “Yeah, I really want this.” I
go, “Okay, let me ask you this again. Do
you really, really want this?” Then,
there’s times I go, “Do you really,
really, really, really, really want
this?”
When people are driven towards a goal,
they really, really, really, really want
it. They don’t just really want it. The
more you say the word really, the more
it goes deeper inside your body because
it’s not just what’s between your ears,
your brains, or what’s beating in the
center of your chest, your heart. It’s
every single cell in your body contains
an intelligence that is thriving off of
the energy that you’re feeding it that
will allow you to attain your goals.
Michael: Were you every offered or
tempted to take anabolic steroids in
your training and Olympic competitions
or as an athlete?
John: Yes, actually, I did take anabolic
steroids for a year, and I was very
young, and this was another reason why I
decided to retire myself because I
didn’t want to pursue it. I’m glad I
experienced it. I’m fortunate enough to
not have had the negative side effects
that some people have had, but I believe
that when you experience something,
you’re able to teach it better.
I actually experienced the underground
anabolic world in sports, and it’s
amazing Michael. These drugs are
powerful drugs. They do work. There are
so many kinds of drugs out there that do
different types of things from making
you run faster to making you more
muscular, to making you strong, to make
you recuperate ten times faster. That’s
why these athletes can go into the gym
and train six hours today literally
because they’ll have like two to three
hour session, and then the next day,
they’re doing the same thing.
It’s like, “Wait a minute. If I train
six hours, I’m going to need two or
three days or a week and some people a
month to recover.” So, there are
recovering agents and things like that.
Yes, I got myself involved in that only
it wasn’t out of passion. It was given
to me by coaches, and I won’t mention
any names or anything like that. But,
coaches then knew it was illegal. It
wasn’t right, but it wasn’t as bad as it
is today because anabolic steroids are a
controlled substance classified in the
area of narcotics, and it is illegal to
administer and sell them.
So, now I do a lot of coaching and
consulting and even guest speaking for
schools and organizations on drug
cessation, not just on anabolic
steroids, but all types of drugs. What I
have found since I have taken anabolic
steroids, which I just mentioned a
little while ago, I look the same and I
actually feel better today at 52 then
what I did when I was 25 because I’m
following healthy principles, not the
quick way of, “Hey, let’s take this
drug, and let’s see how it’s going to
improve my athletic performance.”
Michael: Well, anyone who goes to your
website, JohnAbdo.com, there’s some
pictures of you, and you are ripped. Are
you still ripped like that right now?
John: I’m ripped like that right now. As
you know, I invent exercise equipment
and training programs. I’m on live TV
all the time. I’ll be on QVC TV later
this month, and it’s kind of interesting
because a lot of time I go with a
t-shirt on looking fit, I’ve got a tight
t-shirt on so you can see I’ve got a
good symmetry and stuff like that. The
producers of the show say, “John, you’ve
got to take your shirt off and show the
audience.”
I stay ripped Michael only because I
follow the principles. I eat very good.
I exercise very smart, and I think it. I
think that I want to be healthy. I think
that I want to be lean. I think that I
want my body strong, and as a result of
me thinking it, the body just develops
automatically.
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Michael: I wanted the listeners to learn
a little bit more about you and your
history, and I want the focus of this
interview to be on your story and how
you are now kind of a different point in
your business career going from an
athlete and a trainer and a coach within
the sports industry to a businessman, an
inventor, and a serious player in the
infomercial business.
I want to kind of move into that. First
off, did you have any kind of formal
education?
John: No, sometimes people say, “Well,
what’s your educational background,
John?” It’s like, “Well, my TV show
which I produced 600 episodes and I
interviewed the best of the best of the
coaches, the trainers, the doctors, the
sports scientists from around the world
for professional and Olympic athletes
and the like, that was my institution.”
I went to school, yes. I studied
chiropractics. I studied physical
therapy. I studied nutrition. I studied
human biology and physiology and
anatomy. So, yes, I’m a master student
of all the physical arts, but also the
spiritual arts. What does it take to
think properly and to use the unseen
source to develop the same things in our
lives as well as the intellectual?
Early in my career, I found out that
whether I was teaching an athlete, “I
want you to jump this way,” or a person
who needed to cut fat over the
abdominals, “I want you to twist your
torso or your abdomen this way,” what I
found is that they needed the mental
intellectual and spiritual stimulus to
allow their bodies to move in a way that
would produce the best results.
For instance, a lot of people go into
the gym, and you could see two people
doing exactly the same exercise, same
form, everything like that, but if you
look inside their brain, one person has
a has-to attitude. I have to be here.
The doctor told me I have to lose
weight. I’ve got to get my body in
shape, blah, blah, blah. They have a
have-to attitude, but they look the same
as the other guy who has a want-to
attitude.
This guy is there, I want to get better.
I want to always improve. I love being
here. This is good for my body. It’s
good for me. It’s good for my family.
It’s good for the people around me.
So, now I flip things around where I
teach motivation first. It’s mind over
matter and your body is the matter, and
as a result of that, I’ve become so much
more successful in my eyes and obviously
in my business because I’m literally
standing on top of the world right now.
I’ve been voted number one fitness
spokesperson in the world several times.
I’ve had the number one fitness products
on TV, and it’s not because I’m just
selling product.
People are using the products and
benefiting from the products. So, what I
have is a huge platform via TV and now
the internet to introduce people who
have never exercised before, who have
abandoned exercise for a long period of
time, to say, “Hey, I’m John Abdo, let’s
start working out together, and here’s
the way to do it. Those of you who are
already working out, but there’s a lot
of great looking and successful people
out there, which they all have a quality
including myself, we’re never content.
We could always get better. I can help
people break thresholds or plateaus or
sticking points and things like that.
So, I’ve been able to diversify myself,
Michael, to where my career is dedicated
to helping other people improve
themselves. The one beautiful thing I’ve
found out, and I mentioned earlier, it’s
not about me. It’s about we. When you
give to other people, you at the same
time are giving to yourself.
The other thing that I found turning
from athlete to coach is that when I
started coaching people and started
telling people what they do and teaching
people and instructing people, I would
go home at night saying, “I’m a smarter
person.”
You learn from coaching. You learn from
teaching. So, I’ve always taught people
to teach and mentor and coach and
discipline themselves at the same time
sharing that same advice with other
people.
So, it’s a cycle of give and you
receive, and it’s a wonderful principle
to apply.
Michael: You may have already said it,
so what’s John Abdo’s mission and
purpose.
John: My mission and purpose is to help
people become better. I believe because
of my directive in seeking self
betterment spiritually, intellectually,
emotionally and physically, that I’ve
been able to realize and will continue
to realize I have the confidence to know
that I will always improve.
These are universal principles that
yield success. There’s a lot of people
out there who maybe and you may know a
lot of people who are very spiritual,
but they’ve got no money, or there’s a
lot of people who do have a lot of
money, but they’ve got poor health or
they’re out of shape.
I try to balance people’s live to where
everything works, and the goals that
they say that they have, I want to make
money. I want to lose weight. Do you
really, really, really want this? If you
do, here’s some principles for you to
achieve that.
John Abdo is a life motivator. I’ve
turned from an athlete to an Olympic and
professional coach to a life motivator
by applying certain principles you adapt
to these principles, and the end result
is sheer success and accomplishment.
Michael: It sounds like you’re at the
top right now, but things haven’t always
been so easy for you. In 1999, you
nearly went bankrupt. After your show
ended, where was your first efforts in
marketing and selling products, and tell
me a little bit about what happened with
the near bankruptcy in 1999, some of
your low points.
John: As I mentioned, I had a TV show
for twelve years, from 1985 to 1997, and
in 1995-1996, television advertisers
just started weaning out. It was tough.
I produced the show. I was the host of
the show. I syndicated the show. I wore
all the hats. The only thing I didn’t do
was I wasn’t the cameraman and I didn’t
do the editing.
Michael: Let me ask you this. How big of
a reach did that show get up to?
John: Fifty million households, and it
started at like 12,000.
Michael: So, you were syndicating
nationally?
John: I was syndicating internationally.
It was up on transponder, which throws
it up on satellite dish. So, I was
getting calls from United Kingdom. I was
getting calls from Canada. I was getting
calls from the Virgin Islands, but most
of these straight line distribution was
here in the United States. I had a very
large and dedicated viewership, but I
sold commercial time on the show, so
like Muscle and Fitness Magazine and
General Nutrition Centers and companies
like that because not only where they in
the commercial time of the show, but the
packages that I sold them, and I became
a marketing expert at this, Michael.
I never went to school for it. I said,
“Hey, if they’re going to be in the
commercials, let me put them in the body
of the show. Muscle and Fitness has got
athletes. They’ve got doctors and
writers, and they’ve got nutritional
products.” Now, I was able to bring
their expert resources into the body of
the show.
When it was in the body of the show, it
wasn’t a commercial. We were talking
specifically to principles of success
and nutrition and health and sports
performance, and at the same time, I
sold them what I called a splash
advertising package where they got a
billboard on the show and commercial
time on the show.
Michael: So, this show was the
foundation. You didn’t know it, but the
years of experience in operating the
show and producing the show and selling
advertising and doing marketing with
your advertisers, this is all
foundational for what you’ve been doing
recently, right?
John: When I was given the opportunity
to produce my own TV show which
proceeded me just being a guest on the
show, I didn’t know how to produce a
show, but I had other people producing
it at the time for me – the cameramen,
the studio, they had the distribution,
the syndication, things like that albeit
it was 12,000 households.
As I wanted to grow the show and bring
it into other homes and networks across
the country, I needed funding. I just
couldn’t do it on my shoestring budget
as I was doing in the past, and or
relying on the studio who produced it
with their funding dollars.
So, I had to assume other roles and
responsibilities. I started selling
sponsorships for the show, and I got
creative with the sponsorships for the
show. I would wear t-shirts of the
companies that were sponsoring the show.
I would have their guest, like Muscle
and Fitness Magazine, Lou Ferrigno was
on the cover of Muscle and Fitness
Magazine. So, I had Lou Ferrigno come on
the show, and we’d talk about the
Incredible Hulk and his body building
career and when he competed against
Arnold, and things like that, but also
Muscle and Fitness had a commercial on
the show.
So, I became entrepreneurial in the fact
that I was learning as I was going, but
because my business and my life and
sustenance thrived on it, I learned very
quick. So, now as an inventor, I’m able
to put together packages that not only
supply the product, but the marketing
behind the product which is so essential
in a product’s success in the
marketplace, whether it’s on TV, at
retail, on internet. There’s a lot more
than meets the eye, and that is part of
the value of me as a consultant or as a
teacher of other inventors and business
owners and entrepreneurs because there’s
more to that than what meets the eye.
The example I give, I give the Barbie
doll analogy. Barbie doll is just a
Barbie doll, but what made Barbie doll
so successful was all the clothes and
the jewelry and the little purses and
the little shoes that these little kids
were able to buy after they bought the
Barbie. Then, what did they come up
with? They came up with Kens, and then
they came up with the little Corvette.
Now, all of a sudden, most kids just buy
one Barbie doll, and if you were in the
Barbie doll business, after you’ve
exhausted that audience, all of a
sudden, you’ve got to go find another
business. Because of the after market
add on accessories, it made that a
multi-billion dollar business. That’s
what I do with a lot of companies that I
work with. I say, “Hey, let’s think
about what your main product is and
let’s talk about the after market and
let’s see how we can integrate in
between.” That’s just one of the many
principles that allows people to become
successful in direct marketing.
Michael: When you were doing your TV
show and you were selling sponsorships
to GNC and Muscle and Fitness, I’m sure
your eyes opened. You saw that these
guys were making big money with what
they were doing, selling I guess
nutritional and weight loss products.
Did this influence you through your
experiencing what some of your sponsors
were doing and how they were doing that?
Was that some of the driving force that
got you into developing and marketing
and selling your own products?
John: Absolutely, it’s the energy that
you put yourself in that influences you.
So, as a personal trainer at the time
making $27,000 a year and meeting Joe
Weeder who was making hundreds of
millions of dollars a year, I said,
“Hey, I’ve got something that I know can
benefit them, and they have something I
know could benefit me. It’s a win-win
proposition, and at the same time, I and
my company and the people involved with
my company, I want to levitate them to
higher levels of accomplishment albeit a
higher income as well as all the other
residual opportunities and benefits.”
So, I was inspired by the people who had
started their careers before me, but had
developed them into multi-million dollar
operations. So, I fed off their energy,
but at the same time, I knew I had the
same type of energy. I just had not
matured to that level yet, but I was
climbing the ladder and they seen in me
my drive, my determination, my passion
and ambition, which is very important
attributes that impresses people whoa re
going to get involved with you.
At the same time, again, it was a
win-win scenario. It wasn’t like, “Hey,
give me money. I need the money to
support my show.” It was more like, “I
have a show that I know can benefit
you,” and when you show people that even
if they say they’re not, the what’s in
it for me type of proposal. They say,
“Hey, this is going to benefit me and my
company.”
What I have found, Michael, is that
these companies, it’s not just Joe
Weeder. Joe Weeder has got thousands of
people working for him. His company is
his family. So, when you help another
person’s company, you’re helping the
families that work for those companies
and the children and everything else.
The economic impact of a great business
is phenomenal, and that’s the driving
force that I have in building my
business. I have thousands of people
working for me right now, and as a
result of the economic impact of my
business, you’re not just helping me pay
my rent and put food on my table and
take care of my immediate family.
When my business succeeds, thousands of
people are being benefited from it. So,
it’s a responsibility and a
responsibility factor is something that
really is a great driving force.
Michael: Who were some of your real
business mentors? Was Joe Weeder a
business mentor to you? Did you have any
giants in the industry that you really
looked up to and kind of took you under
their wing and directed you? Or, did you
do it all on your own?
John: I would say I did it all on my own
and it’s something I’m probably
regretting now only because there was a
part of me back then, not now, there was
a part of me back then that did not want
me to disclose to people that, “Hey, I’m
only making $27,000 a year and you guys
are making hundreds of millions a year.”
I didn’t want to show that.
When I want to these companies, because
I was going to them for the intent of
securing funding and sponsorship in a
win-win scenario, I was thinking and
acting literally and even believing that
I was on their level. As a result of it,
it manifested, but in all honesty,
Michael, I did feed off their energy and
I did watch the way that thy handled me
and the situation, the decisions that
they made, their diplomacy, the way they
articulated things, how they paid and
sent me the checks when the checks were
due, things like that.
I said, “Hey, successful people are
honorable people.” So, I definitely
learned from that, but outside of that,
my mentors have been people like
Napoleon Hill and U.S. Anderson and
James Allen and all these great people
that have written all these great books
over the years. Avatars like Jesus
Christ and all these people who have
done great miraculous things by
following the principles, so I delve
into books and audio cassette tapes and
things like that in my time that I
wasn’t presenting myself to other
people, I was feeding off of the energy
of the past that is ongoing. So, I would
say that that was my mentorship pursuit.
Michael: What happened in 1999? You were
near bankruptcy. Where were you at that
point of your career?
John: First off, let me tell everybody
that struggle is probably the best thing
that anybody can experience. We started
this conversation out talking about
athletes and how athletes train and they
have to work real hard, and they succumb
to very rigorous training principles
hours and hours a day and things like
that.
The end result is a highly conditioned
organism, albeit the human organism.
Without the struggle, the pain or the
challenge, there is no way somebody can
condition themselves up.
Michael: It’s mental training, that’s
all.
John: It’s a mental training, and it’s
scratching for the truth. In my time of
financial turmoil, sponsors were pulling
out of my show because it was actually
after eight to ten years. My show being
a unique show, there’s a lot of copycat
shows out there. There were dozens of
aerobic shows and fitness shows. A lot
of these main sponsors considered, “Hey,
they had the same audience as John Abdo,
or similar audience, let’s buy time on
their show.”
So, what I was commanding was like
$2,500 for thirty second commercial
dwindled down to like $250. The show was
poor. It wasn’t making any money.
So, I was near bankruptcy. I was very
close to it right at $100,000 in debt. I
had a beautiful three bedroom home on a
river in upstate Illinois and a boat in
the water and a dock that I had in my
back yard so the boat was always in the
water.
Michael: Were you married at the time?
John: I was not married at the time.
Michael: How about now?
John: I’m not married now. I’m a single
guy. I was married once. I have a
beautiful daughter who is 26 years old.
She was born on my birthday. So, I’ve
gone through the typical adversarial
situations like most people go through,
certainly a lot of entrepreneurs.
What I experienced in the near
bankruptcy, I sold everything that I
owned. I had to. I had to liquidate. I
had enough money to pay off some debts,
which bought me some time.
Michael, I had six months to live
literally. I moved out to California. I
figured if I’m going to be homeless, I’m
going to go where it’s warm. I’m going
to go where it’s warm.
So, I went out to California, and
because of the TV show that I had
produced up to about two years before
that, there is a hotel that I used to
credit on the show, “Accomodations
provided by.” It was in Venice,
California. They’re very sweet. They
said, “If you ever come out to
California, we’ll put you up.” I didn’t
know how long they’d put me up, but they
put me up for three months.
It was six months to the day that I
started earning royalties from my first
invention. It was one of those things
where I only had six months, and it was
six months to the day that I earned my
first royalty check. From that point, it
was just unbelievable. I became a
millionaire within five months of that
point, completely turned my life around,
and all I do is look back and say,
“Those principles that I followed and
committed to with a want-to attitude not
a have-to attitude finally came to
fruition in spite of all this
adversarial situation.”
I sold my big three bedroom beautiful
home, my boat, my cars. I sold
everything. All that was, the way I look
at it, a test by the universe of my
faith and patience, but to show that
there was a big change in my life and
that big change included changing
everything including my residency, my
location and everything like that.
Michael: So, you stayed in this hotel.
Where was the hotel?
John: In Venice California. It was right
on the beach in Venice.
Michael: Perfect, so you’re right on the
beach in Venice, and they put you up for
three months. So, when you first came
out, what was the idea? What was this
invention? Tell me where this idea
started.
John: I had been working on the idea for
a couple of years before that, and that
was another reason why I got into
financial trouble is because the money I
was making from the TV show, which as I
mentioned was weaning down, I was
funding my invention.
Michael: What was it?
John: The Abdoer.
Michael: So, your Abdoer was your very
first invention?
John: Yes, the Abdoer was my very first
invention, and I had to fund the patent
and the attorney and a lot of the
upstart marketing materials. I had to
travel to trade shows to do
presentations and things like that. So,
I was ten, fifteen, maybe twenty,
twenty-five thousand dollars into it
just raw dollars without time factored
in out of my own money.
So, the Abdoer was draining me, but like
most inventors, it’s like, “Hey, this is
do or die.” I believed in this product.
I’ve got to make this thing work no
matter what, and again, with the TV
shows declining sponsorship funds coming
in, and I wasn’t profiting. I was paying
everybody that was working for me, which
was only two people at the time with all
the outsourcers that I have. I had a
fulfillment company, a telemarketing
company. I was paying all my bills, but
I wasn’t paying John Abdo, and I became
that deeply in dept.
Like I mentioned, I made several
presentations for the Abdoer, and
sometimes people don’t act like, “We’ll
take your invention. We’ll be the
licensee for your product.” It didn’t
happen until six months later. I got a
call six months later.
Now, mind you, I sold everything that I
owned. I sent forty boxes of clothes and
computer equipment, and I had my little
stereo and stuff like that, I sent forty
boxes to the hotel. That was all I had.
So, there was times when I was obviously
packing up to leave, in transit, when I
left, and then once I got to California
to get set up, there was times when I
wasn’t really that much focusing on my
adversarial financial situation. I was
just focusing on reestablishing myself.
Like I said, I only had enough money
literally based on what my expenses were
at the time, and I got three months free
rent, but three months thereafter and my
gas expenses, my auto expenses because I
leased new cars, I had six months to the
day, Michael, and within five months, I
got a call from a marketing company
saying that they were going to take on
my product. Six months I got my first
royalty check.
It was a miracle. Miracles happen when
people expect the miracles to happen. I
expected this to happen. Even though I
was going through selling everything
that I owned, changing locations, having
to lose my first big baby and my big
baby, the one I loved the most was my TV
show. I loved that show. That was my
baby. It brought me around the world. It
put me in contact with people in all
areas that I was interested in. It was
my promotion, and it was my dedication,
but I lost that.
I didn’t have the funds to support it
anymore, so I had to get rid of it, but
when the Abdoer hit, it just opened up a
whole new world for me, and it was just
fantastic.
You’re listening to an interview on
Michael Senoff’s HardToFindSeminars.com.
Michael: So, I want to bring you back,
and I want you to try and remember the
very first germination of you wanting to
be an inventor, this idea of the Abdoer.
Where did it germinate? Where did it
start? How far into your TV show career
were you? Tell me where the idea
started, you said in your head, “I’m
going to invent something. I want a
product of my own that I can control and
sell.” Where did it all start?
John: When I first had the idea for the
Abdoer, it was in the midst of financial
turmoil with my TV show. This was like
1994-1995, and I’m laying in bed
thinking, “God, I need something. I need
to get out of this situation. I need to
make money to support my family, and I
want to have something that drives me
passionately for my career and my
professional life.”
At that time I was maybe $70,000 in
debt, and it was just like one of those
things where I’m laying in bed just
asking, praying, wondering, all this
other stuff, and boom! Michael, it just
like fell out of the ceiling right into
my head. It hit me so profoundly that I
seen it now, and I seen the future.
I seen everything with this idea. Now,
it was me putting all those time periods
past, current, and future into a
tangible presentation because at the
time and even more now, I knew that this
product would help everybody, not just
athletes, but it would also help people
who needed to lose body fat.
Michael: Explain for the listeners who
don’t know what the Abdoer is, what this
idea was, what problem it was going to
solve, what market it was going to
potentially go, what was unique about
this idea based on all your experience.
John: When it comes to abdominal
training, back then and even today,
aside from John Abdo Technology, there’s
a major flaw in the industry. Everybody
was on this crunch craze. It was an
abdominal crunch craze. Lay on the floor
and lift your chest and head just a few
inches of the ground, and you’re
contracting your upper abdominals.
Everyone was doing crunch, crunch,
crunch, well concurrent with my fitness
career, I was also working in
rehabilitation and physical therapy and
things like that and we seen a rise in
back injuries from people whether they
were athletes or not athletes, and we’d
ask them, “Hey, what kind of training
are you doing?” Of course, crunches were
part of the training.
They were overdeveloping the abdominals,
but if you look at the torso from a full
circumference, 360 degree parameter, the
spinal column sits in the back. They
were ignoring training the mid to lower
back. So, the spinal vertebrae lacked
muscular support of that very vulnerable
skeletal region.
So, by overdeveloping the abdominals
which everyone was focusing on a six
pack, they were underdeveloping their
lower backs. Back then, a lot of
doctors, professional fitness trainers,
even physical therapist said, “Don’t
train the back. This is the worst part
of your body for injury,” which it was.
Was saying, you need to train the back.
The reason the people have lower back
problems is because they’re out of
balance or out of condition or too week.
So, I invented the Abdoer to mobilize
all of the muscles surrounding the
spinal column from the back, from the
sides, which we can call love handles,
and you have fat obliques on the side
and certainly the abdomen region.
So, here’s a product that allows your
torso to have this complete natural
anatomical functionality in every
position, forward extension, backward
extension, rotation, twisting,
circumvection which is round circular
motions, just like if you were in a
seated position doing a dance or figure
skating or shadow boxing and if you’re
looking at the skeleton of that person
watching the spinal column and the torso
rotate.
The Abdoer has several patents on there.
One of them is a spinal decompression
chamber, so as you’re moving your torso
in all these different positions, you
are not compressing the interfatebral
disc, the intefatebral disc is that
cartilage in your nose, and if you
squeeze your nose right between your
nostrils you’ll feel a little piece of
cartilage in there. It’s like a guitar
pick, and that’s exactly the same type
of cartilage that is in between each of
the 24 vertebrae that goes from the
bottom of your skull to the top of your
pelvis.
Michael: Did you see any machines out
there that provided the benefits of your
Abdoer? Was there anything in the gyms?
John: There was nothing anywhere,
Michael whether it was at professional
sports facilities, orthopedic medical,
rehab clinics, fitness centers. There
was nothing. The Abdoer was a total
original idea. Part of me is saying,
“Hey, there’s other experts out there in
anatomical science and human
biomechanics. Why hasn’t anybody else
had this idea?” That’s the beautiful
thing about inventions.
When you have an idea, that’s a viable
idea, it is really profoundly different
and profoundly beneficial. So, that’s
why I pursued it, and it ultimately
became the number one product in the
world, which took time, obviously, but
it was definitely something that I
believed in.
The Abdoer number one is a feel good
machine. It strengthens the inner core
of your body from the spinal column
number one, which houses your central
nervous system, but it not only works
the abs, the Abdoer, I tell people quit
thinking about just the abs because the
Abdoer will get your abs, but start
thinking about the entire midsection.
People are doing crunches and crunches
and crunches. Me, too. I was doing 500
crunches a night, and the front part of
my midsection got strong and a little
bit leaner, but I still had fatty sides,
love handles, and my lower back. I was
suffering lower back.
I actually had a back injury for many,
many years, and when it came time to put
on my bathing suit or tighten the belt
around my pants, I’m thinking, “Hey,
these pants or this belt wraps around my
entire midsection, so why am I only
working on part of it,” which is just
like four inches to each side of my
navel and four inches up and down my
navel. I need to work the entire
midsection.
As a result of that, it’s almost like if
you took a balloon and you just pressed
one side of the balloon. When you press
one side of the balloon where your hand
is pressing, that becomes flat, but the
other sides protrude out.
Now, take that same balloon and tie a
ribbon around the whole balloon and
tighten that ribbon. Now, all of a
sudden everything that the ribbon is
touching becomes tapered so now you have
that symmetrical taper.
The Abdoer is just a beautiful machine
as far now with its bonus effect of
having that look good benefits after
being a feel good machine. It develops
the inner strength and integrity of your
body, the skeletal, nervous and muscular
system, but because it’s fat burning and
muscle shaping effects with the system,
it body shapes and loses body fat around
the entire middle region of the body.
Michael: So, there’s your big idea. I
understand your unique selling
proposition. I understand your
positioning in the marketplace. There
was nothing out on the market like this.
So, you had this idea. What was your
first step that you did to pursue your
idea?
Now, you’ve got to think, we’ve got a
lot of impacts people who are inventors,
who have ideas. They’ve got their big
idea, and I want to take the listeners
through the process of how you pursued
it, and let’s talk about any of the
mistakes and some of the pitfalls and
some of the warnings, some things that
you personally experienced from the
first germination of your idea to a
successful product through infomercials.
You laid in bed. You had that idea. You
had tremendous financial stress. What
did you do to act on the idea first?
What was your first instinct to do? Get
a patent?
John: There’s a multitude of things that
you have to think about because pursuing
the maturation or the tangibility of an
idea, of an intangible or an unseen.
What I had to do was make a list of all
the things that I had to do and were
necessary to do in order for me to
develop and protect and market my idea,
which was a vast list. I definitely kept
an inventors log, which many, many years
later helped me win a lawsuit having
that inventors log because I had things
documented in that log that my opponent
who was trying to sue me for a frivolous
claim. They were just opportunistic
trying to get me to settle. They could
not back off. They couldn’t believe that
I had this log as detailed as I had it.
Michael: Tell the listener why it’s
important for them when they have an
idea to document.
John: It’s important to document
everything to do, for yourself, number
one because you want to make sure if
you’re making phone calls or contacting
people, it’s a good ticker file to say,
“Okay, I called Michael today. I left a
message,” or “I spoke with Michael today
and he told me he’s going to get this
done for me by next Thursday.” So, in
your log, you put next Thursday
expecting a call from Michael, things
like that.
It keeps you inline with that because if
you don’t have a secretary or
secretaries and assistants and things
like that, you’re basically a one man
band. So, you really need that, plus
from a legal standpoint, you need to
document the development of that
intellectual property because from a
legal standpoint, you really need to
have the heart of the process documented
should you have to go into some
litigious situation, which I’ve been in,
and fortunately I’ve been able to win
because of the fact that I’ve had valid
documentation.
I pursued developing a prototype after
contemplating the idea in my head. I’m
thinking, ‘Okay, this is how the human
body moves. Can I invent a machine that
compliments that?” It was quite
challenging at the beginning, but I went
over to one of those Dover Square type
of places, one of those big gigantic
places. I’m over there and I’m looking
for just some PVC pipe. I’m a handy guy
so I know how to get plumbing and
constructing materials and things like
that.
I remember walking out of there Michael
with like $4.89 worth of pipe and elbow
brackets and things like that. The funny
thing is that when I was in there, the
gentleman that was working there in the
store, I say, “Hey, where can I find
these elbow brackets? Where can I find
PVC pipe, and all this other stuff?” The
guy was very, very helpful, but after a
while because I needed like about ten or
twelve different parts which were all
glued together ultimately. He’s
scratching the back of his head. He
goes, “Wait a minute. This isn’t your
typical plumbing job. What are you
trying to build here buddy?”
I told him. I said, “It’s an invention.
I can’t tell you.” That was like my
first funny story with the development
of the Abdoer.
Michael: Before you did that, you just
mentioned you wanted to keep it to
yourself, which I think is important for
inventors, not to tell everyone about
their inventions until it’s documented
and protected. Did you make any steps to
protect or file a patent or call one of
those supposed patent companies off TV?
Anything before you got to the process
of building your prototype or was that
your next step?
John: Oh, yes, there was multiple things
occurring concurrent with one another.
Michael: Let’s talk about some of those
because other inventors who hear this
are probably going to be doing the same
thing, and I want to give them advice on
experiences that were good and bad in
that process.
John: You had to put together drawings,
and you don’t have to be a great artist,
just start drawing it. As you’re drawing
it, you’re learning from it, and you
have to date it. That’s one very
important thing. Put dates on there.
Michael: Did you have professional help
helping you with this?
John: Not in the beginning stages. No, I
was just a solo team. It was just John
Abdo and Associates, and I was the
associate. You put together drawings. I
went to the hardware store. I built a
prototype and even though it was a funky
what we called the duct taped glued
together prototype, it actually was
like, “Wow, this thing is going to
work.”
So, I was documenting things like that.
I was looking through directories. I
went to the library. The internet wasn’t
big at the time.
Michael: What were you looking for in
directories?
John: Patent attorneys, marketing
companies. I was familiar with TV
because I was involved with TV with so
many years, ten years at that time, but
these weren’t infomercial companies, but
they were companies that did advertise
on TV. I used to go to all the sporting
good shows, and the sporting good shows
would have companies that did TV
advertising.
Michael: Did you proceed to get a patent
on your intellectual idea?
John: No. What I advise inventors is not
to get a patent on their idea at the
beginning.
Michael: Why?
John: Because if you apply for a patent
and the product isn’t even developed,
once that patent is released, now all of
a sudden at the time that you file that
patent especially in my duct tape
stages, by the time I actually was ready
myself to file for a patent which is
about a year and a half later, the
product had changed so much.
So, you really need to have your ducks
in a row to file for the patent. The
best thing to do is to file for a
provisional patent application.
Michael: What is a provisional patent
application?
John: A provisional patent application
is a broad understanding of the spirit
of the idea or the invention, and from
there, you could add on different
descriptive elements, and the
provisional patent application secures
your idea for one year. So, the clock
starts ticking once you file the PPA.
Once that provisional patent application
is filed, now I could bring it to
anybody. I could bring it to ABC
Marketing Corporation and say, “Sign
this non-disclosure agreement. I have a
patent pending on this particular
product.” Now, you can legally and
hopefully securely disclose your idea to
another company with the fact that this
is just a rough prototype. This is the
spirit of the idea, but it’s certainly
not market ready. So, there’s a lot of
changes that can be made to make it look
better, but certainly function better,
maybe even ship better and assemble
better and cost less and things like
that.
So, to come up with a patent right away,
unless you fully know everything about
that product is not the best way to go,
and it’s also the expensive way.
Michael: Who helped you with the
provisional patent?
John: I had an attorney do that.
Michael: How did you find your attorney?
John: Through a phone directory. Here’s
how I selected my attorney. I call
people up through a directory and I
bought books on inventing and things
like that. I just found different books
in the library and bookstores and stuff.
I called people up, and Michael, the one
who had the patience to listen to what I
had t say was the one I felt the most
comfortable with.
The other ones, “Yeah, right, okay, just
come on in. I charge $400 an hour, blah,
blah.” The people who were fast,
impatient, didn’t give a hoot on who I
was or, “Hey, I’ve heard this story a
thousand times before,” because I told
them, “Hey, I’ve got this great idea,
and I’m John Abdo, and I’ve got my own
TV show, and I’ve got a big audience
already and I know fitness.”
I needed to work with somebody I felt
comfortable with because I needed to
talk about my product, and when you have
intellectual property, one of the things
the attorneys ask you is who did you
tell? If you say, “I told my
girlfriend,” or, “I told my father,”
they go, “Oh, it’s public domain. You
can’t do it. It’s not patentable
anymore.”
Some patent attorneys will tell you
that, and I want to throw in another
disclaimer here. I’m not a patent
attorney, and what I’m telling your
listeners right now or telling you, it’s
different for other inventors and what
other invention counselors and or patent
attorneys would advise. This is the
route that I went, and it ultimately was
the right and safe route.
However, securing the patent for myself
which I ultimately obtained in 1999, and
my second patent was issued in 2001,
doesn’t prevent you from getting knocked
off. I had over 33 people infringing on
my patents, and certainly doesn’t
prevent you from going into a lawsuit.
It just gives you offensive rights to
protect yourself. I just want people to
be aware of that.
Michael: Okay, so you hired this
attorney. You did your provisional
patent. Did he have to do a patent
search? Can you describe what that is to
the listeners?
John: Yes, that was really enlightening
because all of a sudden, he goes, “John,
I’ve done so many patent searches for
inventors before who come to me saying,
‘Okay, I’ve got this original idea. I’ve
never seen anything like this before.’”
Michael, if you’ve never gone and done a
patent search, at the time, I went to
the Chicago library because I was living
in Illinois, and we do a patent search,
they’ve got that microfilm. There’s
millions and millions of bits of
information.
Michael: What’s the purpose of a patent
search?
John: To see if somebody else has got a
product out there similar or exact or
that your product infringes on that
because you could spend all the time,
money, and effort to develop, to build,
to capitalize the product, to pay for
patents and trademarks and all that
other stuff, and then as soon as you
release all of a sudden you get a letter
in the mail, “Dear Mr. So-and-So, you’re
infringing on my product. I have the
same patent, or I have something that
you’re infringing upon.”
You don’t know that. I mean, everything
is secret until it becomes public domain
or it’s released. So, you’re just really
keeping your fingers crossed, and a good
patent attorney can do a great search,
but they’ll always tell you this is
their waiver and their disclaimer. We
can’t search everything that’s out
there.
My product fell into the fitness
category. It fell into the sports
category. It fell into the medical
category, physical therapy category, and
there’s no way they can search that.
But, the good thing is that when they
did come back with a search, I believe
they came back with like twenty or
twenty-five products that when they came
up with a search, these were items that
the search came up with similar. You
looked at them, and I go, “None of these
are similar. None of these even come
close.” Then, you ask your patent
attorney, “Am I infringing on anybody?”
He says, “No, but they do come up.” It’s
what they call other arts or other
inventions that are currently in the
marketplace that would be within a
category or close proximity of
similarity to what you’re inventing.
Michael: For the listeners, we’re doing
a patent search because we want to make
sure that our idea is novel and
original. So, give the listeners the
best John Abdo definition based on from
your understanding what a patent is, and
why would someone even want one? What
criteria do you need to be awarded a
patent by the US government?
John: The broad term that I use, in
layman’s terms, as an inventor, and
obviously, there’s professional
definitions of this – a patent is the
grant of ownership to that idea, which
allows you to have that ownership for a
specific period of time, which is
usually about seventeen to twenty years
depending on when the patent is
released.
So, now you own that patent. You own
that idea, and nobody can produce
something similar or exact, and you
could obviously go after them for cease
and desist or for royalties or suing
them for blatant infringement or
blocking them from coming into the
marketplace into stores or putting it on
TV.
So, the patent is your way of protecting
your idea. The law here in the United
States is not the first to file for a
patent, and this is a real touchy area,
and there’s some patent holders and
inventors that say don’t ever file a
patent. You don’t need to file a patent.
There’s some truth to that, but again,
I’m not an attorney, and I’m not giving
the advice. I’m just giving the scenario
that if you could prove that you were
the first to invent this which is by a
log, show documentation and on computers
they have date created, date modified
and all the documents and things like
that.
Somebody could come up with an
invention. You could say, ‘Hey, you’re
infringing on my invention. We did an
examination and your product never came
up in the patent search.” I never filed
for a patent, but this is my idea that I
kept to myself and my date pre-dates
your dates. So, I was the first to
invent it.
According to some patent attorneys,
legally, you have the right to sell that
idea.
Michael: Even if you didn’t file for a
patent with your idea.
John: Even if you didn’t file for a
patent. I recently listened to an
interview that I had listened to a long
time ago, and let me listen to this guy
again. He suggest to inventors not to
file for a patent.
Now, let me explain this Michael. When I
went to marketing companies to market my
product, they have to invest millions of
dollars, literally in inventory, in the
infomercial, which infomercials today
cost on the low side $200,000 on the
high side $600,000. Some infomercials
that you’re seeing on TV are cost a
million dollars. That’s just for a
thirty minute infomercial. It has
nothing to do with the instructional
DVDs, the user group, the university
tests. There’s literally one to two
million dollars invested in the project.
They want to make sure that the project
that they are investing in, your idea,
your invention is patented so in the
event that somebody comes after them
later on like, “Hey, you’re selling my
product on TV through your
infomercials,” that they have legal
rights to stand their ground and to
obviously protect their investment and
their property.
So, you as the inventor are the licensor
of that technology to the licensee which
is the marketing company, who most
likely, in every situation that I’ve
been in, demands a unique original and
patented idea in order for them to risk
the high risk investment from that
particular project.
Michael: John, what kind of patent did
you have, a utility patent or a design
patent, and can you explain if you know
the difference?
You’re listening to Michael Senoff
interview John Abdo on
HardToFindSeminars.com.
Michael: John, what kind of patent did
you have – a utility patent or a design
patent, and can you explain if you know
the difference?
John: A utility patent is what I have,
and it’s basically a function. The
Abdoer as I mentioned earlier allows you
to function by moving the spinal column
or the torso or your whole waistline
abdominal region in a specific function.
So, that’s the utility of that.
A design patent is like the best
example, if you go on the internet and
you look up design patent, usually an
icon of the Coca-Cola bottle comes up,
that symmetrical Coca-Cola bottle. That
bottle’s design, that symmetrical
design, is a design patent. It has
basically no function to it, and some
people may argue, well the gripping of
it where it narrows it, you can get your
hands in there and it won’t slip out of
your hands – things like that. These are
all part of the descriptive process in
putting together intellectual property.
It’s something as simple as a bottle
design could have thirty pages of
descriptions to it.
I encourage all the inventors out there,
people interested in this, to go to the
US patent and trademark office, and
click on either trademarks, and
particularly patents, and start reading
some of these descriptions. You’ll be
blown away at how deep and detailed
these descriptions get.
That’s why I mentioned earlier, you
don’t get a patent right away because
you need to learn to describe not only
the product you’re going to bring into
the marketplace, you need to be able to
describe if somebody wants to knock it
off, what would they do to get around
your patent that would allow them to
have something that is not infringing to
your product, but was inspired by your
product.
For instance, if you look at the old
glasses for instance that you drink out
of, you just put your hand around the
glass. Somebody says, “Hey, if I put hot
liquid in that glass, I grab the glass,
I’m going to burn my hands. Let me put a
handle on there.”
So the guy who invented the mug and put
the handle on the glass doesn’t infringe
on the guy who invented the glass so to
say. I’m just giving an example here
because the handle makes it different
enough that it was inspired from the
original invention, but in and of
itself, it’s a totally different
function.
However, if the guy who invented the
glass only marketed the glass, but in
his patent description he says, “Well,
we could put handles to it. We could put
different bases to it,” this that and
the other, whatever he put in his patent
description, even though it may not be
seen in the marketplace, he still has it
protected in his patent description. So,
you go beyond the scope of what’s
originally being patented, and that’s
where like with the Abdoer, I had
engineers look at my product, and say,
“Hey, what would you do different?”
Look at my product, and if you wanted to
knock me off, what would you do to knock
me off. It’s like, “Okay, put that in
the patent description,” and it’s so
helpful because I’ve read patent
descriptions like I mentioned before,
twenty or thirty plus pages long for
what we would think to be one little
simple idea. These ideas aren’t simple.
Michael, they’re very complex especially
when you need to protect it.
It’s almost like you have a baby, and
you’re trying to envision that baby when
that baby is a full adult. Here’s this
baby breast feeding, and it looks one
way, and then when it gets older and
it’s got different color eyes, different
color hair, a different body shape, all
this other stuff. What will that baby or
that brain child of yours, that
invention, what kind of forms will it
take on as it matures and how could we
dress it up later on, and all that is
considered and or should be implemented
into your patent.
Michael: So, advice to the listeners.
Don’t skimp on a patent attorney.
John: Don’t skimp on a patent attorney.
I consult with inventors all the time. I
consulted with three of them yesterday
alone. All of them say, “I don’t have
the money. I don’t have the money.” I
say, “Well, you need to find the funds
to get a good patent attorney to do a
search and to put together a good
description for you.”
The description is also in the
provisional patent application. Your
provisional patent application may be
the same application of the patent, if
you don’t change the product, but it’s a
lot cheaper. I think it’s $1,500
compared to over $5,000. Each patent
attorney is different, and the fees that
the US Patent and Trademark office keep
escalating, but to have the security of
a legal, licensed counselor is
imperative for your future.
A lot of people are out of the gates
with no money. Now, here’s what happens
to a lot of inventors. A lot of
inventors come to me and say, “Hey,
John, I’ve got this idea, but I’ve got
no money. Would you be interested in
marketing my idea?”
Now, when somebody comes to you with
just an idea and it’s scribbled out on
paper. They’ve got no prototype. They
haven’t put one penny into it. It is the
highest risk for me or a marketing
company or an investor to get involved.
So, that inventor is going to get paid
very, very small because we have to
incur not only the cost, but it’s going
to take us over a year to develop this
project. Projects don’t come on the air
at least on TV within two or three
months. It takes a long time, especially
if it’s a tangible project and we’re
shipping goods in from out of the
country.
The more an inventor can do – an
inventor comes to me and says, “Hey,
I’ve got a patent. It’s already
secured.” Now, all of a sudden, I’m
thinking, “Hey, I’ve got anywhere from
fifteen to 25 maybe $50,000 in legal
fees that I don’t have to pay. This guy
already paid. Okay, he deserves a little
more.” Or if he says, “Hey, guess what?
I got manufacturing secured. I’ve got my
prototypes already done. Just bring it
to the factory, and they’ll replicate
those.” Hey I don’t have to pay my
engineers, and do prototyping which is a
huge cost because you have to pay your
engineers and or take your engineers off
current projects to work on this new
project.
The more an inventor can bring to the
company that he or she wants to
manufacture, market or distribute and or
advertise, the more leverage the
inventor has in getting paid. So, a lot
of inventors say, “Oh, I got ripped off.
I got ripped off.” They really didn’t
get ripped off when they understand the
complexity and the risk and the cost and
the energies involved in taking your
idea to fruition and having it being
sold in the marketplace.
Michael: What about the commercials I
see with the cavemen and some of these
services? Is that something that you’d
recommend people give a try to?
John: I’m going to say no, and the
reason why I say no is because I know a
lot of people who have been ripped off
by these people. The other reason why I
say no is I’m kind of partial because I
formed an organization called NICA,
which is the National Inventors Coaching
Alliance, and what NICA is it’s real
people like myself who you see on TV all
the time, then it’s like, “Hey, this is
a real person who is just like me, an
inventor many years ago, who made it,
and I’m making million of dollars right
now with my technologies. I’m a real
person doing real business, generating
real results.”
Now, when you watch those cavemen ads on
TV, who are these people? I don’t know
who that person is. When you go to their
website, you look at their products,
I’ve never seen these products in the
marketplace. They may be good people.
They may be legitimate people, but I
would feel far more comfortable in
dealing with somebody who I have a
familiarity with because we all have
better business bureau track records.
We’re under investigation constantly
with the FTC, so we’re FTC privy. We
stay aligned with the FTC.
In fact, everything that we do, we
consult with FTC attorneys saying, “Hey,
here’s the project we want to get
ourselves involved in. What are the
guidelines for us to do this?”
A lot of companies who don’t get
themselves involved with an alliance
like mine, the National Inventors
Coaching Alliance, embark on producing
an infomercial or any type of marketing
campaign. They put it on TV, and then
all of a sudden, they’re hit with
lawsuits and fines that they can
substantiate their claims, this, that
and the other, because what they’re
doing in their show, even if they’re
doing it honestly is not abiding to FTC
principles.
So, that’s one of the guidelines, but
I’ve heard so many inventors, and I
haven’t really heard one success story
that has gone to those invention
submission companies and have succeeded.
What they want is huge upfront fees
which they entice you into paying, and
they get it. That’s how these companies
stay in business.
Again, I can’t speak for everybody,
Michael. I’m sure there’s some good
companies out there. NICA, the
organization I’ve formed, we are not an
invention submission company, although
we have companies that are always
looking for inventions.
The company that says, “Come on in.
Let’s see your idea, and pay me $12,000,
and I’ll help you with this thing.” I
raise red flags when people try to go
that route. The commonality I see with a
lot of inventors, and I speak one on one
and in groups, I do keynote speaking. As
you know, I’ll be at the IMPEX
convention in June, if this is going to
be airing before June. The response
magazine EXPO convention, I have a great
relationship with Response Magazine.
Every inventor, there’s not one that I
haven’t spoken to that hasn’t been
ripped off or doesn’t know who to trust.
There’s some negative emotion, which is
a legitimate negative emotion, so my
alliance with the National Inventors
Coaching Alliance is there to act as a
buffer and a security blanket to
inventors so we can connect you to the
right professionals.
Michael: Were you ripped off in your
patent process at all, tell me you filed
your first patent. Was it only a US
patent? When did you expand to
international patents or additional
patents?
John: I originally filed in two
countries, and basically when you file
for a patent, at least what I was
counseled at the time is that you file
in the place of origin or where it’s
being manufactured, which mine was in
China, and then your major distribution
which was here in the US. The Abdoer
took off. We sold a million units in
five and a half months. It was the
biggest, fastest, most revenue
generating product sales fitness product
of all time.
Michael: Once it took off, did you have
to file another patent to protect?
John: Once the product took off, and it
took off very fast and very big, some
big, big numbers, other countries were
interested. So, now all of a sudden, we
had to file in other countries.
Now, the fortunate thing I had licensed
it to a marketing company who had now
seen the potential, and although I and
or my partnership or my company who I
had an angel investor, who is a great
guy, and he was more than an angel just
giving me money. He was involved in the
daily operators. He was a very astute
businessman.
We had funded the Chinese and US
patents. The marketing company says,
“Hey, this thing is flying. We have
other countries that want this product.”
They incurred all the expenses, and our
deal didn’t change. I got the same
royalties and everything like that,
which is a beautiful thing.
So, if you could prove your product,
especially in that type of scenario
where sales are thriving, it lowers
their risk, and they’ll definitely stick
their hands deeper in their pockets to
invest more into it.
Michael: Ballpark, what did it cost for
those first patents?
John: Patents for China and the United
States, I’m thinking it was about
$25-$30,000 with everything. We had
patents. We had trademarks. I produced
instructional videotapes that I wanted
to copyright and trademark all those.
There’s several patents on the Abdoer.
As I mentioned before, there’s a lot
more versions of the Abdoer than what
meets the eye, than what people have
seen on TV. I had lower priced versions.
I’ve got higher priced versions. I’ve
got medical versions. I’ve got
rehabilitation sports-training versions.
So, there’s a lot of different versions,
and as a result of that, was obviously
the patent attorney says, ‘Okay, I’m
going to try this description. I’m going
to spend X amount of hours more
describing this,” so you obviously pay
more.
So, we were willing to fund as much as
we needed to fund to protect what we
felt was a viable idea, and albeit
Michael this was before we sold unit
number one. We just believed in our
technology like most inventors do, so it
was certainly risk, but that risk
certainly paid off big time.
Michael: What is a trademark? Did that
same patent attorney assist you in
trademarking the name of the product? If
not, when did you handle your trademark
issues?
John: Trademark really happens
concurrent, and a lot of patent
attorneys, again I’m not one, will tell
you that as long as your name is out
there, it’s trademarkable. It’s out
there, and I have like a sales receipt,
or certainly like a sales brochure, if
the box that the Abdoer is sold in, the
Abdoer is out there, and if I could
prove the date, that will secure the
trademark.
A trademark is really securing the sign
or the indicator of that particular
product. In my case, the Abdoer, that
name is a trademark.
Michael: Now you’ve got this product.
You’ve got it patented. You’ve got a
prototype and you need money. What was
your thinking at that point? You needed
a private investor. You needed money to
fund this project. How did you go about
finding your angel investor, and explain
to the listener what is an angel
investor?
John: I went about it just like anybody
else would go about it. It’s like, “Who
do I know that’s got money, and or, who
can I reach out to that would fund this
project?”
Michael: How much did you think you
needed to get it going?
John: I can’t remember if I had it
figured out. I didn’t go into saying I
need X amount of dollars. I went into it
saying I need somebody to take over my
cost of doing this process, and you
would enjoy a percentage of the profits.
I went into that.
Some people say I need to raise a
million dollars. I need to raise ten
million dollars. I need to raise
$250,000. I didn’t have an exact number
place only because I didn’t know. I had
no idea. I had no way to do projections
or any of that other stuff. I would just
pull them out of the air, and I see a
lot of inventors who come to me with
projections. I go, “Where did you get
these numbers? Did you just pull them
out of the air?”
It’s like, okay I’m going to sell a
million units, a million times five
dollars royalty is five dollars.
Projections are just that. They’re
projections. They’re not tangible
figures. They’re ideas.
So, I went to my financial advisor, my
accountant. I went to the bank. I just
started telling people I have an
invention, I’m looking for investors. I
got the energy going, man. It’s the
power of networking.
One of my financial advisors who had set
up my insurances and stuff, he obviously
was financial advisor for other people.
He says, “Hey, I know a guy who knows
you. He sees you on TV all the time
because of my TV show. He’d love to meet
you.”
So, we set up a meeting. From day one, I
mean, it was almost like that meeting,
it was like the easiest thing for me,
but granted I went in there being a
household celebrity. My TV show was
airing all the time. So, when John Abdo
came walking into your house, it’s like,
“Hey, I’ve seen this guy before. He’s
got something good going for him.”
Michael: Were you back in Chicago or in
California?
John: No, I was in Chicago at the time.
So, I already had credibility and name
and image awareness already branded. I
had brand equity to myself. So, other
inventors don’t have that advantage, but
that doesn’t mean that they’re at a
disadvantage. There’s ways around it.
So, he decided to invest, and he had
resources, people who could help me with
prototypes and accounting and all that
other stuff. So, Michael, I wasn’t just
looking for money. If somebody would’ve
just thrown a million dollars on the
table and said, “Here, take the money
and go and produce.” Now, all of a
sudden, I would be in charge of having
to spend that money and finding the
people I would spend that money to.
That’s a huge operation.
I wanted to develop a product, and I
wanted to be the spokesperson of the
product, and I wanted to have an
association of people who did what they
were supposed to do. So, my angel
investor wasn’t just an angel who just
threw me money. He gave me resources and
his expertise, and he was just a great,
great guy.
Michael: He knew how to take it to
market?
John: Basically, he helped other people
develop businesses and or build
businesses and sell businesses for
profit. That was his forte and his claim
to fame, and he was a very, very wealthy
man. So, we had a great relationship
there.
So, when you’re looking for something
that you desire to find, you’ll find it.
I tell people just get that energy
going. Get the ball rolling, and you
will find what you’re looking for.
Michael: What’s realistic? You’ve had to
think how much of my company do I have
to give away. Was there negotiating back
and forth? What was your thinking before
you went in for that meeting? I’m sure
you had some concerns or questions of
how much this guy is going to want, and
what advice would you give someone else
who’s looking for money, how much to
give away or how much to keep for
yourself?
John: Today, when I go into
presentations, it’s a whole lot
different. I’m twelve years as an
inventor, not just a guy who had an
invention. I’m an inventor now. I
operate under inventing and business
principles. So, when I go into a
presentation, I pretty much know if it’s
not pinpoint what the range of my high
and low acceptance would be.
Back then, especially having admiration
with the gentleman that ultimately
invested in me, I entrusted him in
giving me a proposal because he knew
start-up businesses and what it would
take and what would be fair and stuff
like that.
So, I told him, “Give me an offer that
you feel is fair but is in both of our
best interests, but more importantly
it’s in the best interest of the project
because there’s a lot of people involved
with this.” He gave me a very, very fair
offer.
Michael: So, who was in control? Did you
lose control because you handed it?
John: No, in fact, when I say he gave me
a very fair offer, he made sure. He
says, “John, you need to retain control
and ownership of your property. I’ll
come in. I’ll invest my money. I’m going
to get a percentage of the profit, but
you own the intellectual property. You
have all rights to the project. If we
license it away to somebody else, they
are licensee of that project as long as
they’re producing.” It was a very, very
fair offer.
I learned so much from this guy, and I
hit a grand slam home run almost my
first time up at bat with this guy
because not only was he astute and very
professional, but part of being astute
and very professional was that he was
honest and looking literally at the
entire project. He was making decisions
as if it was his project, which is the
only way to really look at a deal. It
has to be win-win.
You can’t do a deal of a what’s in it
for me type of attitude, because even if
he would’ve given me 99% of the
business, which I’m not going to
disclose what he gave me because that’s
confidential, and each project has it’s
own dynamics, but even if he gave me
like super doper control of the
business, ultimately it would’ve failed
because it was lop-sided. It would’ve
been totally in my favor, but in
disfavor for other elements, other
parties and associates and resources
within that project.
So, it has to be for the project in
totality. I only tell people never only
think about me. Always think about we,
because that’s the only way a project is
going to thrive.
Michael: Don’t be greedy. The other
parties will be resentful.
John: Yes, people, especially inventors,
and I’m an inventor and I know the
personality traits. We go into these
things very desperate, and we are easily
manipulated. We regret it later on, but
the thing is being desperate, it’s like,
“Oh, bankrupt,” which I was, losing my
house, losing my cars. I had to move. I
had to liquidate everything I owned. I
lost my business, my TV show. Everything
was going.
I needed money. The first thing you
would think of is take care of John
here. Take care of John, but I knew the
long term would not be the best picture
if I only looked at John. I had to look
at what’s best for the project. John was
part of the project, but being a part
didn’t mean that I was going to take
everything up front, and it worked the
best.
Michael: So, it sounds like you really
were blessed. You got lucky with this
guy, and you got an honest partner.
Other people aren’t so lucky. What about
somebody who goes to a venture capital?
Are there warnings that other people who
have great ideas, patented products,
people that they should stay away from?
John: Well, first of all, I really don’t
want to say that I was lucky, although
luck certainly plays into it. I did have
a lot of skill sets going into it with
my marketing knowledge in the fitness
business particular fitness television.
I was producing a TV show. I produced
600 shows, commercials or instructional
videotapes.
I knew how to produce. I knew how to
advertise on TV. I knew how to produce
commercials. I knew how to market and
syndicate. So, I went into there with
several skill sets, but now I was
starting a whole new business, albeit a
different type of business, and I
entrusted that decision to somebody
else.
If he would’ve given me an offer that I
said, “Hey, even though this guy is
giving me money, I don’t like the
offer,” I would’ve walked away from the
deal even if he would’ve given me a lot
of money because I wasn’t only looking
for money.
So, I did have a certain degree of
expectation, which was filled beyond my
expectations which is a really great
deal. Now, when you talk about other
investors and venture capitalists and
things like that, obviously, each
proposal or project has its own
dynamics, but as I mentioned, I consult
a lot of inventors, and inventors come
to me. They go, “John, I got this great
contract. It’s unbelievable. I’ve got
this great attorney. He read it and he
wants me to sign it. Would you mind
reading it John, and just giving me your
input on this?”
Okay, this guy told me he got a great
proposal from a great company who does
great things. His patent attorney who is
obviously on his side is a great patent
attorney, and has approved this
so-called great contract. I read this
contract and knowing what I know now on
how loopholes are created, and how you
could blow wholes in these contracts, I
read this contract. I go, “There’s no
way in this or any other lifetime I
would ever sign that contract.”
So, there are things that people need to
know, even great attorneys, if they
don’t specifically know infomercial
businesses and or direct response
businesses or internet business or
paying royalties and things like that,
cost of goods, if they don’t know all
the different schematics, it could look
like a good deal, but I’m telling you
when it comes time to sit down in court,
even though you know what you were
expecting and what you were verbally
promised, there’s ways that that
contract would fall in disfavor to
yourself.
Michael: Okay, you’ve got your big idea.
You’ve got it patented and protected.
You’ve got an angel investor. So, you’ve
got money. You’ve got your prototype.
How did you know that your product was a
product that would do well in
television, and did you consider or make
an efforts to sell the product in any
other distribution channels first to
prove salability?
John: Back then, there wasn’t any other
distribution channels other than retail.
Internet was just starting out at the
time, so that was not a consideration.
Retail, if you remember back in 1997,
and two, three, four, five years after
that, when you seen a product on TV, it
would say, “only available on TV. This
is the only place you can order this
product. Call this number now. Not
available in stores.”
So, TV was the only route. I truly knew
that this product would be successful
once I got it in front of anybody
because the Abdoer which works the
spinal column, everybody owns a spinal
column. So, I knew it was going to be a
benefit to anybody and everybody, even
people in wheelchairs and handicapped
people.
I tested it on that crowd. I tested it
on professional athletes. I tested it on
obese people. I use it myself. There’s
so many applications to this product. I
knew it was something somebody needed
plus the abs is the number one selling
fitness product ever on TV. So, the
abdominal region was one of the main
focuses although it was the entire
middle region which I told people, ‘Hey,
why just think about the abs when you
can think about the whole waistline?”
All of a sudden, a lightbulb went off in
their head. They went, “Oh my gosh, I’ve
never trained my lower back, and I’m not
really training my obliques. This
machine does that.”
So, Michael, I knew I had something good
based on my Olympic experience with
myself being an Olympic athlete,
coaching Olympic athletes, being a
fitness consultant, working in
rehabilitation, co-joined with
orthopaedic surgeons and physical
therapists and had a healthy benefit to
it. It had the cosmetic or look good
benefit to it at the same time.
Michael: Tell me the story about when
you were able to present your idea to
the marketing company. How did that
originate? This is the one that
succeeded. Were there any prior
companies that you had proposals with
that almost went through or that you
were about to go with, or was this the
first one you met that took it on that
created a whole success?
John: Well, all the companies that I
presented it to, I kind of like met
everybody at a trade show, which trade
shows are really great.
Michael: Were you an exhibitor?
John: I wasn’t an exhibitor. I was just
walking around, shaking hands, and some
people recognized me from my TV show.
Other people, you know, “Who are you?,”
type of thing. I’m John Abdo. I’m an
Olympic coach. I invented a product and
I’d like to see if your company would be
interested in having an in person
disclosure.
I do not disclose the product at the
convention. I considered it an
intellectual property, and I wanted to
give the product its due respect in
getting a formal disclosure in a
concentrated presentation, not at a
trade show where there’s hundreds of
people tugging everybody at the sleeves.
So, I had like four or five companies
that were interested, and I set up one
with one company. I actually set up
meetings with all the companies, but the
first company that I had a meeting with,
they had just done several big gigantic
infomercial projects, $150 million in
gross revenues. One was $170 million in
gross revenues.
What I found out is that they were just
a production company for this, but they
were dying for an idea that they would
get themselves involved in that they
would own. So, when I met with them, my
angel investor, myself flew out to meet
with them. We sat down. We were doing
our dog and pony.
At that time, we produced a nice little
demo video which we played on their TV
monitor. I had the prototype there. I
had some drafts of some brochures and
our trademarks and stuff, and I gave my
presentation, “I’m John Abdo, the
inventor, and I’m also the
spokesperson.” I showed them my abs. I’m
in good shape. I told them my story. I
was fat and out of shape, and now I’m in
shape.
I had a bad back. Now, I have a good
back. I gave them the whole story, and
at the end of the meeting, we all shook
hands knowing that we were going to work
together. Within two weeks, well,
actually within two days, we had a
letter of earnest that they didn’t want
us to show it to anybody as they were
going to draft a formal contract for us,
and we were in business.
So, it was really a wonderful scenario,
and it was very securing because now I
knew I had a marketing partner, and as I
mentioned before, they were assuming
other parts of the risk factors within
this project, which I didn’t have to
assume. They were specifically producers
and marketers, and I was the inventor,
the program developer, and the on air
spokesperson.
So, I was going to be pretty busy which
I was. I was on live TV all over the
world. I was traveling constantly. I
made live appearances at trade shows and
live TV events. I was doing guest
speaking engagements promoting my
technology as an inventor and
specifically for the Abdoer. Ultimately,
it became the number one product in the
world.
It was fantastic. I was the number one
inventor of the world, number one
spokesperson. The infomercial was the
number one infomercial in the world. It
won all the awards.
Michael: Let me ask you this. Were you
out in California by this time?
John: No, I was still living in Chicago
when I made that presentation to them,
but I was still running low on finances.
I still had to liquidate everything. It
was going to be a while before this
thing was going to be sold. It was going
to be months and months. So, I moved out
to California, and got myself set up,
and like I said, I had six months to the
day to start earning royalty checks, and
sure enough like clockwork – if you were
looking at a stopwatch, when six months
hit, boom, I got my first royalty check.
Michael: So, you consummated the deal in
Chicago, and you moved out to California
because you knew this thing was going to
go forward, and you were just getting
ready for it.
John: Correct.
Michael: So, that’s smart. You went to a
trade show, and you were looking for
expertise in the marketing area. This
type of company, what specifically was
their expertise, and what would you
recommend an inventor who has got a
patented product who wants to market it
via TV to look for in a company?
John: That’s kind of a loaded question,
and the reason why I say that is because
there’s some companies that only do one
thing. They’ll produce the infomercial,
but they’re not the manufacturer.
They’re not the distributor. They’re not
the marketer. They’re not the media
buyer. They’re not the telemarketing
company. They’re not the customer
service. They’re not the warehouse or
fulfillment company. There’s a lot that
goes on.
Some companies say that they do all
that, and either they’re blatantly not
telling you the truth, or they have the
resources and they outsource all that.
That could be indicated in the contract
where ABC marketing firm and its
associates will have worldwide exclusive
rights to all aspects of this operation
type of thing.
So, these are things that the inventor
has to be aware of.
Michael: So, did this company have the
expertise to handle all of this for you?
John: No, the company I licensed it to,
unfortunately, they spelled themselves
out to be an agency company and they
weren’t. They wanted to be because they
had produced big, big projects in the
past, but they were part of the project,
but not the whole of the project.
So, they actually kind of like oversold
themselves to me, which was kind of
disappointing, and that’s one of the
reasons why I went near bankrupt and I
had to sell my house because it took a
lot longer for us to bring it to
marketplace.
The great thing that happened from that
is that they did produce a great
infomercial, and we did have several
elements in place. What would have been
bringing the project in one year, which
we did test in one year, things didn’t
work out that well in 1997. It wasn’t
until late part of 1999-2000 which I had
to repackage the project and still
involve these guys, but had to license
other aspects of the project to other
companies. That’s when the project
became the big hit and winner.
So, a lot of people wonder what happened
between 1997 and 2000. That was a very
tough period for me because I had
thought, “Hey, I have everything I need
to get this project going.” I had a
piece of it, and the guys that I said I
licensed the technology to, they’re
great guys, but they did overextend
themselves. They got themselves involved
in some areas that they were not
completely qualified to do.
They knew the people involved in those
processes, but they were trying to
assume roles that they never assumed
before, and most of the time when you do
something new, Michael, you’ve got to
learn.
Michael: Absolutely, this is critical
because you’re going through a lot of
challenges that other inventors will go
through, and it’s important that they
know that it’s not all going to be
smooth sailing. There’s going to be
challenges. We want the listeners to
know what they can learn from the
challenges that you experienced.
Now, when you set up a licensing
agreement with this company, were you
stuck with them because of the agreement
for a certain amount of time where your
hands were tied?
John: Yes, absolutely.
Michael: For how long?
John: Well, it wasn’t so much how long.
It’s just like, “Okay, we’ve got all
this energy going in this direction.
Now, how do we come to a screeching halt
and completely change in the other
direction?” So, time was energy. It was
like, man I talked to this company a
year ago, remember at the trade show I
told you I went to. I blew all these
other people off because the first party
I met with was the party who shook my
hand, and we ultimately had a deal with.
Now, for me to come crawling back with
my tail between my legs to these other
companies saying, “Hey, guys, guess
what? I licensed it to another company,
but they’re not doing everything I
wanted them to do. Will you guys work
with me?”
Professionally, that’s not the best
thing to do. So, it took me a while to
restructure my business, and as a
consultant right now, I’ve learned so
much about negotiating contracts and
holding people accountable.
For instance, if someone says, “Yeah,
I’m an infomercial marketing company,
and all of a sudden the inventor thinks
I’m going to do everything for them,
that inventor better be prepared to ask
me the questions.” This is what I
negotiate with my contracts, and when I
represent other companies and other
inventors, are you the manufacturer? Are
you the media buyer? Are you the
warehouse? Are you the telemarketing
company? Are you the fulfillment
company?
All these other resources and there’s
many more than I just mentioned are cost
of doing business. So, when you have,
say for instance a royalty that’s based
on net profit as opposed to gross
profit, that difference between net and
gross factor in all these other
agencies.
Now, if everything is under one roof,
which they very rarely are, and I
learned the hard way, then they’re being
outsourced at top dollar. So, let’s say
for instance, you generate a million
dollars in gross revenue, according to
their accounting, there may be $200,000
in net revenue, and when they split up
everything, you’re left with $20 in your
product. We just made a million dollars.
How do I end up with $20? That’s part of
the negotiation that specifically
isolates where are the dollars being
allocated, who’s part of this project,
who is being outsourced, who’s
insourced, what are the costs of
operations, what is the definition of
gross versus net revenues, how does the
accounting finally shake out, and most
inventors don’t believe it, but they
only get one maybe two percent
inventor’s royalty, which could be
significant if you sell a lot of
product.
What does one percent really mean? What
does that mean in dollars and cents
because today you never hear an inventor
saying, “Well I get a dollar a unit or
five dollars a unit or ten dollars a
unit.” They’ll always give you a
percentage because the price
historically of a product will change.
It’ll start high and then come down.
So, if they’re selling a product at $200
originally, but six months later, they
go, “Hey, we’ve got to mark this thing
down.” Now, they’re selling it for $100.
If they’re giving you five dollars a
unit at $200, they can’t give you five
dollars a unit at $100.
So, a percentage would be a sliding
scale based on the ups and downs of the
pricing structure. When a product goes
to retail, that’s a wholesale price, not
a retail price. So, the wholesale buyer
buys that $200 product, at say $135, so
you don’t get paid on the $200 that the
customer would’ve paid for that product.
You would get paid on the $135 that the
retailer paid for that product.
Michael: So, what’s standard royalty in
the industry for an inventor to get when
he licenses his product, a percentage of
gross or a percentage of net?
John: Well, it would be nice if you got
a percentage of gross, but I doubt if
that will happen. There’s always
exceptions to the rules, and even though
I have been specific in the fitness
industry, I have been consulting
inventors. One guy had a construction
project. Another one had cooking
appliances, automotive, things like
that. So, each industry has kind of
structured their royalties and pricing
structure different. So, each one has
it’s own dynamics.
I usually like to address those not in
the broad or general term, but in an
exact project by project basis. So,
that’s the scenario and what I do and
what’s then to my benefit how I make my
money, first and foremost, is that I
always try to secure myself with
manufacturing because I know the
manufacturers now and the manufacturers
say, “Hey, John, is this going to cost
us $18 to produce this product, you sell
it to somebody else for $20, we’ll give
you $2.” So, I get paid once the
products are being manufactured, even
before the products are even sold, and
I’m very transparent.
I let everyone know about this, and in
addition to me being the manufacturer’s
rep, which is a source that these
companies don’t have to do. So, me
getting paid that two dollars per unit
is something they would pay to somebody
else anyway, and being the inventor, I
get inventor’s royalty. Being
spokesperson, I get paid a spokesperson
fee.
So, I wanted to negotiate all the roles
that I’m participating in the project
and what’s fair for me to get out of it
when I represent inventors, that’s what
I try to get it. What are you
contributing, and here’s what you’re
worth, and here’s what we’re going to
ask for. Here’s what you’re entitled to.
So, if you’re just an inventor,
obviously you’re going to get one thing,
but if you’re contributing more, and as
I mentioned earlier if you come in with
patents and prototypes and things like
that, your inventors royalty is worth
more money because you’ve lowered their
risk.
Michael: The first company, it didn’t
work out. They kind of overstated what
they could do, and your hands were tied.
The success didn’t really result with
them, was this until you found another
company?
John: The success as far as selling the
units for revenue profit wasn’t
successful, but as far as developing the
infomercial and getting the project to
another level, which my investor and
myself were not capable of doing, that
was-
Michael: So, you stayed with them in the
infomercial development part of it.
John: Yes, well, they introduced the
infomercial, in time manufacturing to a
group that was charging them double what
the cost of goods were. They had no clue
of what the manufacturing costs of goods
should be. They were getting raped,
excuse the expression, on the cost of
goods.
So, even though we had high call volume,
we were not selling the products at the
profit we wanted. So, that part of it
failed, but later on, I became aware of
other manufacturers, and as I mentioned
earlier, there was 33 maybe more
knock-offs of the Abdoer. So, there’s
factories all over Asia, probably all
over the world, they were producing the
Abdoer.
These factories, they’re calling the
reps that go out around the world to
trade shows, surfing the internet,
looking in stores, what’s selling out
there. We’ve got to copy that thing.
They’re in business to sell product.
Manufacturers are coming to me and
saying, “John, if you ever have another
product, let us manufacture it for you.
We’ll deal directly with you. We are the
manufacturer. You pay no middle man. If
you want, we’ll cut you in on the
manufacturing.”
I found out that that was the best way
to go. So, now I have direct contact
with the manufacturers. I don’t need to
go through any buffer or middle agency
or middle man.
Michael: That’s smart. So, you had to
renegotiate your agreement with this
company.
John: Yes.
Michael: They were okay with that?
John: Yes, in fact, I still do business
with them today. I mean, the fact of the
matter is it’s kind of funny, and I’ll
use this analogy and hopefully it comes
out right. It’s like when you marry
somebody, you think you know them, but
after a while it’s like, hey, they’re
squeezing the toothpaste tube the wrong
way, but that wasn’t until after you got
married.
I’m the kind of guy that it’s like, even
though we have a contract and the
attorney will say you have to follow
everything within the confines of that
legal agreement. Hey, there are things
within a relationship, a growing
relationship that are always being
changed, modified, enhanced and things
like that.
So, I’m the kind of guy, I want to roll
up the sleeves and say, “Mr. So-and-So,
or Mr. Partner, or Mr. Investor, things
are changing or things have changed or I
envision something changing. What is the
best way to handle this for both our
interests?”
I’ve never been one to point fingers in
somebody’s face or blame anybody. It’s
like we’re all trying to do the best we
can do, and new projects require new
dynamics with new decisions and every
once in a while if you hit your head up
against the wall, and you just try to
diplomatically try and ease the
situation the best you can.
Michael: You communicated. You worked it
out.
John: I always try to work it out.
That’s the way I live my life. I try to
work things out. What’s fair, now if the
group is doing something illegal or
unethical, then I will point my finger
at their face. I’ll be very
confrontational, and let them know this
is wrong. It’s illegal. It’s unethical.
It’s not fair. It is way beyond the
boundaries of our legal obligation to
one another, and even if it’s not
written in the contract, as I mentioned
earlier.
There’s some contracts that people
believe are great contracts, but people
do things outside the boundaries of the
contract, which according to law may not
be legal, but it’s a pain in the
gluteous maximus man. It’s like, how
could you people act like that or do
those types of things.
I’ve learned over the years, and that’s
what makes me better at what I do and
great at consulting other people on what
to do.
Michael: Very good advice. So, keep
control of the manufacturing. Let’s talk
a little bit about manufacturing. Were
there plenty of people who could
manufacture a good quality product, and
were you concerned about quality with it
being made in China? How did you control
that?
John: There’s a lot of quality
manufacturers out there, and they’re
always popping up. You can bring them
anything. You could go to a department
store right now and buy a blender or a
shoe horn or a coffee cup or a cell
phone or whatever it is, and go to a
factory and say, “Duplicate this,” and
they will duplicate it.
That’s how good this guys are at
manufacturing things. So, as far as the
manufacturing process is concerned,
you’re not short of manufacturing, but
even though it looks like the product
that you want to have, does it function.
It’s got to hold up.
So, manufacturing quality is a key, and
that’s another cost of doing business
because I go to the factories. I’m there
with the white glove so to say wiping
the assembly lines, seeing the
materials, and making sure that the
quality of the product is not being
jeopardized and it’s being manufactured
in a way to where the customer has what
we promise, a strong durable functional
item.
Michael: So, you had a good relationship
with your original manufacturer, and are
you still with them?
John: No, I didn’t have a good
relationship with them. The thing is
when you sell as many items as I sell,
you need multiple factories and multiple
manufacturers. So, even though I had a
good relationship with that factory, I
have other factories doing different
things for me.
Michael: I see. Did you work directly
with the manufacturers, or are there
agencies that can help an American
buffer and work with these
manufacturers?
John: Yes to both questions. For my
products, I work directly with them.
However, I do have a new product that
I’m working on right now. It’s a real
exciting fitness product, and I know
this product is going to sell extremely
well in the marketplace.
A manufacturing agent who is also a
great engineer, which is very important
because they could take my rough idea
and really put bells and whistles to the
design and function and packaging of the
product. They came to me and they said,
“Hey, John, you’ve got another product.
Let us work with you on it.”
I’m happy to work with them and let them
get paid because that’s just another
extra energy of doing business that I
have don’t have to do and I love and
enjoy delegating responsibility because
I’m busy enough.
When the project is big, the pie, it
could be sliced up so many different
ways, and also it incentives other
people to do a great job for you. So,
instead of me always going to the
factory which is a very cumbersome
uncomfortable trip sometimes, obviously,
I’ll let somebody else handle that for
me. A lot of other circumstances I’m
dealing directly with the factories
myself.
Michael: Tell me when you knew this
thing really hit big, and what it was
like, and when the infomercial was
produced, do you remember the very first
time it ran? Was it running as a test?
Tell me what lead up to where you knew
you had a huge winner?
John: At the beginning, even though the
first phase of the project was not
favorable and I mentioned because of the
manufacturing and things like that, the
project was a success right from the
very beginning. It was voted the number
one product in 1997 at the Sporting Good
Manufacturers Association Show. It was
the big sporting goods show. It was a
worldwide expo, which I had the product
on display there, 120,000 products –
this place was gigantic at the world
congress center in Atlanta.
John Abdo’s invention and myself were
voted the number one product at that
convention. So, I knew the product was
going to be an instant success. My first
royalty check was $3,400. The second one
was $8,400. The third one was $34,000.
The fourth one was $84,000. That was per
month. It grew up to $125,000 per week.
It was just incredible.
So, being a $100,000 in debt, I put a
goal in my mind, that I needed to get
that $100,000 back, and I was earning
well over $100,000 per week which was a
half a million dollars per month. It was
just obviously a blessing, not only for
myself, but knowing how many other
people were benefiting from this
project, the 4,000 people at the
factory, the raw materials suppliers,
the delivery truck drivers, the retail
store clerks, the media buyers, the
telemarketers, the fulfillment
companies.
It was just one of those things, wow, my
idea has had such a huge global impact.
It really defined that it’s not about
me. It’s about we slogan that I live by,
and it just gave me so much more
pleasure in seeing the big picture and
the big impact in other people’s lives
which obviously made me very proud.
Michael: So, who was operating the
company? Were you the main focus of it,
or was your partner handling all of
these details?
John: There’s a way where you could say
I was spearheading the whole project
because I’d handle any part of the A to
Z operation, but I was wise enough to
have delegates and associates that
specified in specific areas because I
don’t want to have to do certain aspects
of the operations, but I do a lot of
aspects of the operation. I do a lot of
customer service, believe it or not. I
call people up who have purchased the
product.
Some people may have great things to say
about it. Some people don’t even know
I’m calling. Some people may have some
concerns. I call people up, “Hi, this is
John Abdo the inventor of the Abdoer.”
All of a sudden, you hear the phone
bouncing off the floor. They go, “I
can’t believe you’re calling me.” I tell
people I’m not your typical infomercial
guy. I’m a real fitness professional who
used to coach people in the gym, now I’m
selling a product on TV.
I never get a chance to meet people like
yourself, and I just want to call and
say hello and thank you for investing in
my technology. I want you to know the
real relationship starts now, which I
say that more confidently now in the
last two or three years because my
websites which are specific for each
project. JohnAbdo.com, Abdoer.com,
ButtandThighDoer.com, are specifically
intended to educate and motivate people
not just on the specific product that
they buy from me, but on the whole
lifestyle.
I’ve got audio seminars. I’ve got video
seminars on the websites. I do
frequently asked questions,
testimonials, and again, it spans all
areas of spiritual, intellectual,
emotional, physical health that are in
and surrounding the whole lifestyle
needs of that particular person.
It’s my way of staying connected to my
patronage and my students, my customers,
and something I really enjoy. I’m not a
typical infomercial guy, Michael. I just
happen to be an Olympic coach, an
Olympic athlete who invented a product.
All of a sudden, I’m on TV because the
number one product in the world, and
it’s not the most social business in the
world.
When you’re on TV as much as I’m on TV,
I’m sitting at home watching myself on
TV, and I’m sitting here by myself.
Millions of people are watching me, so I
had to think, “How do I get myself back
involved with exchanging energy with
these people?” So, I do a lot of
consulting, a lot of live seminars, but
my website, my phone consultations have
been really remarkable with reconnecting
me with the population out there.
Michael: Great, John, when you went with
that first company, you had told me that
that their expertise was in developing
an effective infomercial. For what you
know about the infomercial industry and
the infomercials we see on TV, how many
of these things actually make money?
John: Not many. It’s a very high risk
venture, and a lot of companies out
there, and a lot of individuals – I’m
approached by a lot of people, inventors
and marketing people, product owners,
project owners that tug me at the
sleeves and say, “John, can you help me
get a product on an infomercial?” They
don’t understand the complexities of it,
number one, and they don’t understand
the cost of it as well as the failure
rate. The failure rate is extremely
high.
So, when you have a winner, you’re
walking around chest high, chin high and
just really proud that you’ve been able
to accomplish something like that. I’m
in that bunch, but I’ve also been part
of projects that haven’t succeeded. All
the elements were there, Michael. We
just don’t know what works until you
really put it on the air and test.
But, I’ve heard something like 97% of
all infomercials fail, which is a huge,
huge percentage. So, again, it’s not a
sure bet. It’s like putting your coin in
the slot machine and pulling that
one-armed Jack. You’re really chancing
it. I’ve seen infomercials that some
people say, “Well, hey, I’m going to go
to XYZ Corporation,” I’m just giving
that as a name, “That produces
infomercials for a million dollars.”
They say, “If I put a million dollars in
an infomercial for sure it’s going to
sell.”
I seen a scenario one time where this
company produced an infomercial, and it
was a two, three hundred thousand dollar
production, a nice production, and the
show was bombing on TV. It just wasn’t
doing well at all. The company still had
funds, and they went to another
production company, reshot the whole
show for a million dollars, and the
results were actually worse with a
million dollar show as opposed to the
two, three hundred thousand dollar show.
There’s no set answer. A lot of it is
skill, but the other three percent of it
is luck. It’s the timing when you bring
a product into the marketplace. You
never know who is working on a project
concurrent with yours that when you
start testing it you go, “Oh my gosh,
here’s another ab product that I thought
mine was going to be the only one on
TV.” All of a sudden, there’s not just
one, but there’s two other ab products
on TV. So, you have competition.
The viewer has a choice to make, and
today’s viewers are so educated that
they will go back and forth and back and
forth and they’ll call all the numbers.
They’ll ask for the best deal. They’ll
take notes. They’ll go to the internet
and search on there to see if they can
find the best deal. They’re really an
educated buyer these days.
So, it’s not just the infomercial that
works. It’s all other channels of
distribution from telemarketing to
website sales and things like that that
really back you up because if you don’t
make it on TV, you better make it up
somewhere else.
Michael: How long can it take to produce
a full infomercial? How long did your
production company take to finish it
from start to finish and then a matter
of months?
John: I think every project I’ve ever
been involved with, everyone says, “Hey,
we’ve got to get this thing up and going
really quick,” and something that’s high
risk, it’s like, let’s get it out there
as fast as we can so we can start
getting our return on investment ASA
pronto.
I’m the kind of guy, I like to have a
project mature on its own. Of course,
I’m very persistent. I’m very
aggressive, and I don’t sleep well
during a project, or sleep as much
because I’m working on the project 24/7,
but it takes a long time.
Michael: Should you do the Golden Rule
if they tell you it’s going to take six
months, just plan on a year?
John: No, not really because sometimes
six months could turn to three months.
It all depends on how things
materialize, and it depends on the kind
of product.
Michael: Let’s talk about your Abdoer.
John: With exercise equipment, now you
need a user group. You need to prove
that this thing works. With any type of
nutritional product or exercise product,
so now you need a user group. User group
is going to take at least two months,
actually more than that when you have to
design the routines and train the
instructors to teach these classes or
put somebody in the user group before
and after pictures, measurements, and
then do some kind of a clinical study.
So, that takes several months in and of
itself, but concurrent to that, you’re
working on the product. You’re working
on manufacturing. You’re working on
distribution. You’re securing a lot of
things – preproduction, planning, so
there’s a lot of stuff going on
simultaneously, and that’s why I formed
NICA, the National Inventors Coaching
Alliance because when people see me on
TV, they may say that, “Hey, John did it
by himself.” I can assure you that even
though I may have invented the product
by myself, I certainly didn’t bring it
into the marketplace by myself.
There’s an alliance of people that are
surrounding every project, and these are
things that people need to consider when
they bring it into the marketplace. They
also need to consider that when another
company has to take on the risk of a
project that they have to put in
manpower, time, energy and money, and as
you mentioned, yes, six month could be a
year, and some people can expedite it a
lot quicker.
I am much more efficient these days than
ten, twelve years ago in taking a
concept and bringing it into the
marketplace because I have the alliance,
and I have the know all, but still it
takes time for it to mature.
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John Abdo.
Michael: How much control do you make
sure you keep in the development and
production of the infomercial, and what
advice would you give an inventor who’s
ready to go to a production company as
far as staying in control, adding your
two cents or just letting them handle it
because they’re the “professionals?”
John: Most inventors, and not to sound
condescending or insulting, if they
don’t know the business, then there’s
not a lot of control that they’re going
to have, and rightfully so. Some
inventor that says, “Hey, I’ve got this
idea,” and they scribble it down on a
piece of paper says, “This is going to
be my million dollar idea, which is not
a lot of money because when a project
makes a million dollars, and they’ve got
two million invested in it, you could do
math.
If he or she brings it to a production
company and says, “Hey, I want X
percentage,” the production company
says, “No, you’ve got to work by our
rules, and here’s what we’re going to
offer you.” An inventor, believe it or
not, at least in the fitness world, will
get a one percent royalty. That’s just
with a concept because a company has to
develop every part of that project from
that sketch on a napkin so to say.
But, for me, obviously, I bring more to
the table because I know how to develop
a project, so I have it patent pending
at least. I have prototypes done that
are production ready, ready to go. I
have the manufacturer secured. I have a
production company secured, and to
answer your question, how much control
do I give to a production company? I
like creative people, and I want people
to think totally different than what I
think.
So, I tell them that they have creative
input. If I say, “Hey, here’s the way to
do it,” Michael, I’d love to have
somebody to say, “John, guess what? We
can do it better.” That was a great
suggestion, and/or these are great
people to work with.
So, when you work with people like that,
obviously, you have to give them control
because their business is their business
like your business is your business, and
you take pride in your business, so you
have to give them pride to express
themselves creatively and in so doing,
you’re keeping your fingers crossed that
their creative expression is something
that’s going to hold good profitable
numbers for you.
Michael: From your experience, how can
you handle the payment for the
infomercial services? Do they demand
fifty percent up front, all up front,
will they ride along with you, or all of
the above?
John: I guess I could say all of the
above and more than the above. Just like
any business or most businesses, I
should say, there’s a lot of ways to
structure a deal. Again, I do a lot of
pushing with inventors. I tell the
inventors, go with the lowest risk. A
lot of these guys are mortgaging their
homes and liquidating everything and
putting their life savings into a
project. That’s not the right way to do
it.
Have people been successful in doing
that in the past? Yes, and I’m one of
them. I sold everything I owned, I had
to, in order for me to bank on my
intellectual property that I truly
believed in. That’s just one in a
million where it’s going to succeed like
that.
So, when you license your property to
another company, it’s the best thing for
most inventors who don’t know the
inventing marketing distribution
manufacturing business because now you
hand off all of the responsibility to
somebody else – financially and
otherwise – and you just sit back and
get a royalty.
Michael: What is licensing?
John: Basically, it’s like I John Abdo
have an idea, and Michael Senoff is a
marketing company. Michael, I want you
to manufacture, distribute and sell my
product. So, we would enter into an
agreement where I’m the licensor and you
are the licensee, and you would pay me a
royalty from units sold, not units
manufactured, but units sold. It would
be nice if you could get deals and this
is what I work on with my clients to get
units manufactured, but that’s only if
you have a relationship with the
manufacturer, which is a very sweet
deal.
But, at the beginning, if you don’t have
those relationships, then you have to
work on units sold. Now, as a licensee,
you have expenses. So, you’re going to
say, “Okay, I will pay you X percent”
typically to a new inventor that’s only
providing an idea is one percent, and
you’re going to say, “Wow, one percent.
It’s not that much.”
It’s not because they have to put a lot
into it, but if they sell a lot of
product, one percent can be very
substantial and I’ve seen people become
millionaires with one and two percent
royalties and stuff like that, but there
are the considerations that you as a
licensee will pay off of net, not gross,
off of net, and a good attorney which I
suggest everyone get and there’s many in
our alliance who are great attorneys,
will define what net is.
That doesn’t mean that you’re spending
money just on air time and the cost of
goods, paying the people in your
operation, things like that. Those are
all cost of doing business, but it
doesn’t include the gas in your car and
the meals on the weekend with your
family and all that other stuff. So, the
net really needs to be defined and it
really needs to be managed from an
accounting standpoint. That’s why a new
inventor into the business, may not know
this, may not have his or her own
accountant and or legal counsel to
structure a deal like that. That’s why,
again, number one, it’s best to license
it out so if you were to want to risk
the money, I would invest the money in
securing yourself legally and from an
accounting standpoint.
Michael: Could you get rich on
licensing?
John: Absolutely, my first deal I made
millions with my first licensing deal,
but we sold over $300 million worth of
product. The thing is, and this is
another thing I coach inventors, I may
have mentioned this before called the
Barbie doll analogy. You invent the
Barbie doll which would have died of
decades ago literally had it not been
for the little dresses and shoes and the
jewelry and then all of a sudden the
purses and the Corvette, and then here
came Ken. It was all that aftermarket
stuff that really made this project a
mega success.
Like with the Abdoer, I invented a
product and I licensed the product, but
I also had books and nutritional
products and video tapes and accessories
that add on to the product that were all
under my control on the back end, which
was really a wonderful sweet deal for
me, and I made nearly as much money on
the back end stuff that I did on the
front end licensing.
Michael: So, with all your added
products that you had, you didn’t have
to enter into licensing deals with
those. Those were products you
controlled.
John: What I did because I had my own
video production company, I produced the
instructional videos and that company
sold them to the marketing company at a
wholesale cost, so the difference that I
got between my cost and what I received
as a wholesale price was gigantic in
comparison to the one to two percent
inventors royalty that I would’ve
normally received, which by the way with
the Abdoer, I got a different percentage
which I can’t disclose. I have a
confidentiality agreement with them. It
wasn’t the one to two percent. It was a
much better deal because I also acted as
spokesperson as well as some other
facets of the project.
So, I wasn’t just an inventor who had an
idea and licensed just an idea as I
mentioned earlier. I had much more in
the company that I licensed the project
to. I was able to negotiate a much
higher percentage because they were at a
lower risk because of what I was
bringing to the table.
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Michael: Would you recommend an inventor
use a licensing agent, or to handle
themselves with an experienced attorney?
John: I would have to say the first one,
work with an agent who’s had experience.
I know I’m promoting my alliance, but
it’s not my alliance. These are people
in the industry who work independently
on various projects who literally spends
tens of millions of dollars a week in
media when you put them all together and
generation billions of dollars.
There are agents out here who represent
inventors. That’s all they do is work
for inventors and they represent
inventors. For you to say, “Well, hey
I’m an inventor. I don’t know this
business, so I’m going to hire a good
attorney.” Michael, I’ve had inventors
contact me and I love reading contracts
even if they’re not my contracts. I just
want to see how they’re worded and
structured and really where there’s
loopholes and things like that.
I remember on one particular occasion,
and this happened more than once, but
this inventor said, “John, I’ve got this
great attorney. This guy is fantastic. I
pay him a lot of money, but man, you’ve
got to see this deal that he put
together for me with this marketing
company.” This guy was in exercise, and
he was just ready to put ink on the
dotted line, and he says, “John, will
you read the contract.”
I said, “First off, I have to throw in a
disclaimer. I don’t want to interfere
with your legal counsel or anything like
that.” He said, “John, it’ll bet between
you and me, just read it over.” I told
him, “I’m not sure if I’m even going to
comment on it because I don’t want to
step in on anything.”
I read it. Michael, between you, me and
my mother, there’s no way I would’ve
signed that contract. I just told the
guy, “No comment,” which to me is really
safe and sane. There’s no way I would
sign that contract because if his
attorney caught wind that I shot down
that deal, then who knows what kind of
repercussions would’ve happened to me,
but he was supposedly a high powered
attorney that drafted this contract, and
knowing what I know and how I’ve gotten
taken advantage of in the past and how
other inventors have gotten taken
advantage of in the past, I’ve seen so
many loopholes in that contract that
that was not a good contract.
Now, the thing is the parties that he
was going to sign the deal with, would
they have taken advantage of this guy? I
don’t know, but legally today, contracts
are approaching thirty plus pages, where
ten years ago, they were five six pages
long. So, I mean, all these different
clauses and this and that is adding on
only because more and more people have
been ripped off and or received the
shorter end of the stick, and they need
protection. The only way they’re going
to get that is through some legal
written document. So, that’s why the
contracts need to be constructed
properly.
To encapsulate what licensing really is
especially to new inventors out there,
Michael, it’s just a way for you to get
your invention to be bought by or
invested by another company, and
reputable company, a company that knows
how to develop, manufacture, distribute
and sell a product at the lowest risk
possible for yourself.
So, you’re basically licensing it to
them which means they pay you a fee for
every product that they sell.
Michael: Can you talk a little bit about
inbound telemarketing? Inbound
telemarketing, your infomercials goes
up. It’s aired nationally, sometimes
internationally, and there’s a phone
number to call. How important is this
step of the process, your inbound
telemarketing, and have you made any
major blunders in this area with your
Abdoer?
John: Inbound telemarketing is not just
one thing. It’s everything. You spend
all this money to produce an
infomercial. You spend all this money to
buy inventory because you have to have
inventory in a warehouse because you
can’t advertise without something
sitting there to be distributed, and you
spend all this money on media. Then, all
of a sudden, the phone rings and you’ve
got some guy over there that’s just had
an argument with his wife pick up the
phone and say, “Hello!”
That’s not the way that they are, but
I’ve caught telemarketers with a bad
mood, and I train my telemarketers. I
say, “No matter what you do, no matter
how the called on the other end sounds,”
because a lot of them are scared.
They’re apprehensive. They may sound
abrasive or rude or angry or whatever,
the operator must always keep a smile on
their voice. That’s so important.
I’ve listened to calls that within
seconds – thirty seconds, 45 seconds,
certainly within a minute, the caller
who was, “Yeah, what’s this thing all
about. I’m not sure if I should buy this
thing. Is this another gimmick? I’ve
been ripped off before.” The agent who’s
listening and corresponding with this
caller is cordial, patient, nice,
agreeing to some degree with the caller,
like, “Yes, I know there’s been
situations. I too was ripped off.”
But, when they keep a smile on their
voice, within a short period of time,
that settles the potential customers
concern. They have a level of security.
They’ve built in a trust factor, and now
all of a sudden they justify them taking
out their credit card and spending their
hard earned money on something.
So, your call people are very, very
important. I think without them, that is
the liaison between the customer and the
money being deposited into your bank
account.
Michael: So, you’ve got a huge call
center. You can outsource all of this to
professionals how handle it who are
standard in the industry, Mountain West
and other inbound telemarketing
companies, but what about one just
starting out, maybe you’re doing a pilot
and you’re testing your infomercial. How
did you handle it? Did you go to the big
guys first, or did you start with a
smaller inbound telemarketing operation
that you really had all the control
over?
John: No, we went to the big guys first
because we had big plans. We had big
aspirations. We had big projections, so
you go with the big guys first because
you want them to be there right from the
get-go. They know that you’re starting
with a lower media spend, tens of
thousands per week as opposed to
hundreds of thousands per week in media.
So, they need to be matured as well
because they’re going to make mistakes.
They need to feel confident with the
pitch. They need to feel confident with
corresponding to frequently asked
questions, the concerns, the complaints,
all the other stuff. So, let them learn.
Let them record the calls. Let them
listen to the calls, and a good
telemarketing company won’t just say,
‘Okay, we’re done with John Abdo’s
product. Now, let’s move to somebody
else product.”
They answer phones for a lot of people,
not just you. They will huddle up and
have actual meetings even some mock
meetings where they’ll say, ‘Okay,
here’s a scenario, caller calls in and
says she wants the product, but she
fears that her husband’s going to say
get that thing out of my house. How
would you handle a caller like that?’
So, you go through these mock phone
calls. It’s like, wow that was pretty
cool, and by golly there are women who
call up and say, “Boy I’d love to have
this, but I don’t know how I’m going to
justify it. Is this something my husband
can use? Do you think he’ll use it? The
last ten things I bought from TV he told
me get those things out of the house and
get credit back on my credit card.”
It’s a funny world out there Michael,
and you have to think of all scenarios,
and because I have first hand experience
with every part of the project including
customer service, again as we’ve been
talking about throughout this
discussion, most new inventors and even
experienced inventors don’t have
experience and/or knowledge in these
areas, which is one of the reasons why
97% of all infomercials fail even the
big companies who have this experience.
It’s like trying to shoot bullets at a
moving target. You really have to have
the perfect aim on this.
Michael: What advice would you give me
when I’m looking for an inbound
telemarketer? What’s important for me to
know before I hire one? You can relate
it to cost or the scripting of
objections, your involvement with them.
Give me some tips on what I should look
for when choosing an inbound
telemarketing operation.
John: When choosing an inbound
telemarketing operation, like any facet
of the business, all facets as I
mentioned before are risky. First off,
you want somebody who is going to sit
down with you. They take interest in
you. They take interest in your product.
The take interest in the program behind
the product, and at the same time,
they’re going to spend time training
their telemarketers.
That means, hey give us as much
information as we can right now, and
we’re going to do some mock sessions.
We’ll be ready when those phones start
ringing. We’re not going to just start
testing our skills once the phone starts
ringing because we know when those
phones are ringing, you guys are
spending dollars. We want that to be as
maximum a revenue generator for you as
possible. So, we’re going to be as
prepared as possible.
They should use the product. You should
send them products where they could use
it so they have a familiarity to it, and
you the inventor or the marketing people
should spend time not only writing up
scripts, which there’s a lot of writing
to be done because these telemarketers,
most of them especially at the
beginning, all they do is read.
If you’ve called people over the phone,
it’s like you can’t break their flow of
discussion there because they have to
read that script and or that screen
before they click on to the next screen.
So, train them to have what we call in
the can material, but at the same time,
be able to flow with the discussion and
sound conversational to the point where
the consumer is comfortable and
impressed. That’s the key or some of the
keys to a very successful inbound
telemarketing campaign.
Michael: How much should an inventor
expect to pay their telemarketing
operation and do they get paid? How do I
know if I’m being treated fairly as far
as compensation? How do I not get ripped
off?
John: Every telemarketing company is
going to have their structure. There is
obviously set up costs and the costs
that you want to incur as far as
training them.
I fly out and I sit down with my
telemarketers. They can’t believe John
Abdo, the guy that they’ve actually seen
on TV is actually there to shake their
hands, to put my arm around their
shoulder and say, “Guess what? I don’t
consider you guys an outsource. I
consider you guys a partner because
you’re getting a percentage of this.
So, there is a fee that you pay them,
but there’s some commission structures
and things like that that again are
negotiable. So, to know if or if not
you’re getting ripped off is really not
to point a finger at them. What you have
to do is number one, get the phones to
ring, and then you can look at the
conversion ratios. If the conversion
ratios are allowing you to say, ‘Hey,
this project is breaking even or we’re
in the black. We’re making a profit,
then hey our call center is doing well
for us.
So, that’s when you know if everybody is
working properly, and a real secret
which is not too big of a secret
internally anymore. Do some cold calls.
Call up. The operator, even me,
sometimes I don’t even have to disguise
my voice. I’ll call up and say, “Hey,
I’ve seen this thing on TV. Can you
describe it to me again?” You ask a
bunch of probing questions.
Michael: Do you give feedback to your
account manager?
John: I give feedback to them because I
tell them whether I’m a minute into it
or twenty minutes into it, I can keep
them on the phone forever. I say, “Okay,
I need for you to abort this call. I’m
John Abdo, the inventor of the product,”
and “Oh yeah, John. Yes, we know you.”
Either I compliment them and say, “Boy,
you did a great job. I was just asking
some questions that have come into me
recently, and I just wanted to see how
you guys are handling them.” Or, if
they’re not doing a good job, I’ve got
to be the stool pigeon. I’ve got to go
to upper management and say, “Hey, this
person does not know what they’re doing,
and they were rude. They weren’t
treating me properly,” and stuff like
that. I go, “Hey, I wasn’t acting as
nasty as some of the other callers that
I’ve listened to.”
We record all our calls that are made
obviously from the very beginning.
They’re only for internal training
purposes only, so they become very, very
instrumental in helping us understand
what the caller needs, but at the same
time, who the telemarketer is and what
and how they’re conveying information to
them.
Michael: Will your account manager ask
if you call up and if you’ve got a
telemarketer who’s just rude and killing
sales for you, can you get him off the
phone immediately?
John: Oh, yeah, they hung one guy out
the windows by the ankles, and we were
threatening to let him go.
Michael: What you’re saying is they are
responsive. You’re the boss still,
right?
John: Of course they’re responsive. The
thing is they thrive on our business.
They know we’re spending lots of money
on media, and Michael, what the ads
were, we were up to two million dollars
per week in media. The phones were
ringing like crazy, so they need to hire
more telemarketers. They need to have
fall back call centers because they say,
“Hey, John, all we can get is a hundred
people in here, and you guys are
advertising so much.”
Now, they have other call centers, the
number will instantly forward to other
parts of the country, and we have back
up operators there because of the surge
of calls coming in, but at the same
time, they know that their business
relies on you. If you’re doing any type
of business, they know that you’re
talking to other people who are doing
any types of business, and they really
do jump through hoops for you.
Every telemarketing company I’ve ever
dealt with has sincerely given me and my
company their time and their best
efforts. It’s just like any other
business. The people who are sitting
there answering phones, if you go to
these call centers. They’re sitting in a
chair for hours on end drinking diet
drinks and eating chips in between. They
don’t take care of themselves and
they’re sitting there, sitting there,
sitting there. It’s a stagnant type of
operation.
So, I tell them my telemarketers, “I
want you to get up. I want to use the
Abdoer.” When I go there, I’m not just
teaching them how to sell my product.
I’m teaching them the whole do arrive
sell, how to keep themselves in shape
because I’m a motivational speaker.
It’s like, “Hey, if you want to become
successful in life, you can do whatever
it takes to make money, but your body is
the vehicle that takes you through this
journey and I want you guys to be
healthy. Everyone on my team has got to
be healthy, at least make a concerted
effort to exercise their muscles and eat
properly.”
The success stories that I get from
people who work for me, Michael is just
phenomenal.
Michael: In your telemarketing
operation, were you able to ever use
outbound telemarketing after the inbound
portion maybe let’s say you weren’t able
to close a caller? Would you ever
implement an outbound strategy to try to
give the caller a chance to buy again?
John: Yes, absolutely.
Michael: Did it work?
John: Oh, fantastic. It depends on the
operator, but usually the outbound
people are far more skilled. They’re far
more educated, and I can’t say educated
meaning that the other people were not
smart. They’re educated as far as the
persuasion of a sale, and they’re more
educated because they know now why the
customer didn’t want to buy the product.
So, they have information that the
inbound callers had, but because the
customer rejected that offer, that
information was conveyed to somebody
else. So, again, they’re more educated
from that standpoint. So, I just want to
clarify that.
They get paid a higher commission. If
you put more money in front of
somebody’s face, they’re far more
incentivized.
Michael: That’s all within your same
operation.
John: Well, yes, within my alliance I
have outbound telemarketers who are
very, very good at what they do.
Michael: Is your inbound operation
separate from your outbound operation?
John: Yes, they’re very much separate.
Michael: So, you can take those inbound
names, and two days later give them to
your outbound department and work them
that way.
John: Twenty-four hours later, they’re
there.
Michael: On that inbound call, you’re
able to capture name and mailing address
from the very beginning?
John: We don’t need mailing addresses
anymore. We’re very rarely sending
anything physical mail anymore. Email
address and phone number is what we
shoot for, and if they don’t give us
email address, we’ve got them on caller
ID so we do have them. We do honor all
the rules and regulations of the Do Not
Call list. So, all that is monitored,
regulated, and we follow the strictest
of governmental standards and all the
regulatory guidelines.
So, we want to protect people’s privacy,
but if they made the call and they were
interested in the product and they
didn’t order, number one, we want to
know why they didn’t order, and number
two, we have a payment option that we
believe is going to entice them to at
least give this a try. Again, I’ll
reiterate, and I keep reiterating with
my telemarketers, they still have a
thirty day money back guarantee. So,
even if they decide to go on it now,
they still have thirty days to try it
and decide to stay committed to it.
Michael: How much real time feedback as
far as stats and numbers are you able to
access with your telemarketing firm and
how important is that?
John: It’s very important because at the
beginning, a lot of calls that come in,
maybe ten minutes, twelve minutes, “How
could those calls go that long?” As the
operator becomes more skillful, that ten
minute or twelve minute call goes down
to eight minutes, nine minutes, and so
enough on our end because the media has
been building up week after week after
week, month after month after month, the
audience is impressed to where they call
up, they say, “I want to order this
product.”
Where at the beginning of a campaign,
especially this new campaign, “Can you
tell me more about that product?” Tell
me more about that product is a longer
presentation than, “Hey, I want to order
this thing. I’ve seen it on TV. I’m
impressed. Here’s my credit card.”
So, you want to reduce the call time
because there’s other people waiting to
get into these operators. You want to
reduce the call time, and obviously
there’s different options. You could pay
all up front and you’ll get some bonus
item or a free gift or something like
that, or a payment plan. So, they have
to get to the options, like sir as a
result of your order, you will get this
free gift if you pay everything all up
front, or you could decide to go with
the payment plan, but you can’t get this
free gift, if you go with the payment
plan, but you do have the option of
purchasing it separately down the road.
Michael: What have you found works?
Obviously, I’ve seen on infomercials
they’re doing smaller payments in
installments. When did this change
occur, and how effective is it? When you
see people ordering the product, does
that bonus help them pay for it all
upfront, or do you see most people
taking the payment plan options?
John: Well, the people who can afford
it, will pay all upfront, and the people
who are really interested in the product
will know that the bonus item that
they’re getting like with the Abdoer,
you get a free tri-roller which is a $55
attachment, and we sell lots of them at
that price individually. They get that
for free, if they pay all upfront.
What we do, and I tell the operator,
“Make sure the customer knows that even
if they pay upfront, and all their money
has been transferred from them to us,
they still have thirty days to exercise
their money back policy.” So, there’s
really a very low, low risk for the
customer.
We want to make it very fair to the
customer. If the customer doesn’t want
the product, I don’t want them to have
it. I don’t want them to complain about
the product. Return it if you don’t like
it.
The payment plan is for somebody who
really has a slimmer budget, and via our
TV products, which are under $200, a lot
of products are under $150, most of them
are under $100, these are exercise
products for their whole body is on this
machine, and that’s the price point if
they’re willing to pay, but they want to
stretch it out. So, if they stretch it
out, that’s fine, but again, they don’t
get the bonus deal on there because it
takes us longer to recuperate our money.
It’s very expensive for a company to
send a product off. For instance, if
it’s a $200 product, and the first
payment is $50, we only get $50 of that
$200, and there’s other costs incurred
in there. So, our company has to float
them money or sit on debt for a long
period of time, and that’s not the
easiest thing to do, but the payment
plan options came into effect years and
years ago, and it was a way to say,
“Hey, let’s get it to the customer. If
they like it, they’re not going to
return it, and we’ll keep our fingers
crossed that they make all the
payments.”
Michael: Within the industry, can you
give me any insight with these payment
plans? How often do you find people who
sign up for payment plans, their credit
card will decline on the second or third
payments? How much of that goes into
collections, and is this becoming a
problem in the industry?
John: It’s always been a problem in the
industry. That’s why a company has to be
well funded. It gets right back to
licensing. If you say, “Hey, I’m going
to do this whole thing myself,” all of a
sudden, you sell a thousand products,
but you only have that first payment not
full payment, you’re millions of dollars
in floating debt. That obviously hurts
the company.
So, when a company is strongly funded
and supported, then they have the
ability to endure that accounts
receivable situation. To answer your
question, well, a hundred percent first
payment, second payment, it goes down to
ninety percent. Third payment goes under
seventy percent, and the fourth and
fifth payment sometimes is zero.
So, sometimes you never even collect all
the money in a collection situation like
that. There is recall, and there is
repercussion. It’s not happy for the
customer. The customer has violated
their agreement with the vendor, and
there are legal actions that can be
taken.
Michael: There’s got to be fraud within
the industry. People up late at night,
and they see these payments that they’re
ordering products. Is there some kind of
organization that monitors fraudulent
buyers?
John: I think that’s a good question,
and it would be good if there’s an
agency like that that popped up, and I’m
sure there’s some agencies over there
that are slapping people on the wrist,
but to my knowledge as of right now, and
it’s a question that I wasn’t prepared
to answer, but it’s an interesting
question because all of us in the
infomercial industry and any type of
direct marketing for that matter or
people who have to go on payment plans
are people who pay with credit cards and
checks, checks especially, that if
there’s not enough money in their bank
account. Yes, there are a percentage of
people who get away with it, and
obviously, they’re hurting the companies
that are doing legitimate business and
trying to help people.
Michael: Let’s get into a little bit
about aftermarketing and you’ve
referenced this a couple of times in our
interview John with the Barbie doll.
Most people who see an infomercial may
believe that the infomercial product
because it’s on TV is a money maker.
Could you tell the listeners, do most
companies who sell a product on the
infomercial make a profit on the first
sale of that product? In other words,
where is the money made in this
business?
John: To answer your question, no, a lot
of companies do not make money on the
infomercial. They’re still in the red.
Some of them just break even, if they’re
lucky. I’ve been in situations where,
wow, we’re really profiting hand over
fist on this, but it may not be
consistent week after week after week.
You may have a couple of really bad
weeks, like where the heck did that come
from. It’s like, oh my gosh, how much do
we spend next week, and it perks back up
again, but again, it’s rolling the dice.
What really needs to be considered
especially again talking about the
licensing. When you license a product to
a reputable company, they’ve got a list
of customers that they’ve had for years
and years and years, sometimes millions
of people on their mailing list.
If they don’t sell a product on TV, they
send out an email blast or put it on
their website for all their satisfied
customers, “Hey, guess what we have new
folks?” So, they already have a built in
sales mechanism that lowers their risk,
assures sales, it’s low cost or zero
cost. Obviously, if they do it through
email and the website, aside from the
cost of writing the page from the
website, so, that is a guaranteed sale.
As an inventor, if you don’t have all
these other channels, and you don’t have
names on your mailing list, some people
go, “Yeah, I have twenty names on my
mailing list.” That’s obviously not
enough. I know companies that have
millions of names on their mailing list.
So, when you do business with them, you
say, “Hey, they’ve got TV. They’ve got
the mailing list. They’ve got retail
distribution, both domestic and
international. They have a website. They
have outbound telemarketing. They’ve got
catalogue sales. They’ve got a lot of
stuff going for them. The chances of
that project becoming successful, when
you license it to a company of that
magnitude are far more likely than
again, trying to do it on your own.”
Michael: I think I hear you saying this.
It’s critically important to own and
control your buyer’s name. Is this
something that’s negotiated in a
licensing deal? Is there a struggle over
who gets control over the names?
John: Of course, because my company,
whatever advertising I do, I’m putting
big dollars out there to get the phones
to ring, and when the phones ring,
obviously, we’re capturing customer
information. That’s vital for my
company, not specifically in and of
itself for that project, but for the
future health of my company because when
I come up with another project, I want
the people who bought today and
yesterday and yesteryear to be aware of
what’s new because I have a trusted
brand and people want to hear what’s
new.
So, yes that list is very valuable. Are
there situations where you can negotiate
to get access to that list? Yes, to own
it completely? That’s a tough one,
unless obviously you’re paying for the
media or paying for other things, but
again, all aspects of a business
transaction are negotiable, and I would
at least put that up for discussion.
Michael: Do you have total control over
your names?
John: I have total control over the
names of the people who are involved in
the projects that I fully fund. If I
license a project, which I still do and
will continue to do because some
projects I don’t want to go full funding
with them. I’ll just slice it to another
company, then, I may get access to those
names in a capacity, but in all do
right, and I understand, they’re the
ones that are putting up all the money.
They’re the ones producing the
infomercials. They’re the ones buying
all the air time and spending millions
of dollars, but then have the names.
That’s out of gratitude for them. It’s
like, ‘Hey, if this project makes it,
we’re all going to have some great
things to talk about, but if it doesn’t
make it, at least there’s something that
you can write on in the future to help
you recover from some of your losses.
Michael: What standard return rate in
the industry, and how do you compare?
John: That return rate has gone up
Michael over the years, and it continues
to go up. You talked about customers and
consumers taking advantage of companies.
That’s another way. It’s almost like the
lady that goes into the clothing
boutique on a Friday night because she’s
going on a date either Friday or
Saturday and she buys all these clothes,
and then Monday morning, she returns
everything.
The return rates have gone up. It’s been
very disappointing for everybody in the
industry, which, again, is another
reason why you want to license your
product to a company who is well-funded,
who is very much aware of the growing
rates of return.
At one time, twelve percent was
considered high. Today, sixteen percent
is normal, and it could jump to eighteen
to twenty percent. That means out of
every hundred products you sell, sixteen
to twenty units are coming back. You’ve
got to refund all that money, and
there’s so much cost out of pocket
because you had to ship the product. You
had to pay the telemarketing, the
warehouse. You’ve got to refurbish your
product because you know the box is all
torn up and all the contents may have
been not repackaged properly, because
they have to return it in the original
packaging.
It’s not an easy business, and again,
I’ve grown to the point where I fully
operate projects from A to Z, and it’s
not easy, but it’s one of those things
where it’s fair more profitable if and
when I fall within that three percent of
the projects that do work, but as an
inventor, consulting other inventors,
what I advise to them goes low as risk
as possible. If you believe in your
idea, let somebody put up the risk and
the capital, and you just enjoy your
inventor’s royalty.
But, as time goes on, if you think that
this is your only invention, your only
idea, then bring as much to the table as
you can or wait a little bit, as long as
you can to develop as much as you can to
where you can get a higher deal for
yourself so it’s a little bit of a lower
or a lot of a bit of a lower risk for
them, and you’re bringing more to the
table.
For me, I knew my first invention, say,
“Hey, I know what I’m bringing to the
table, but I know that I’ll have other
inventions, and I know as the months and
the years progress which has
materialized, I’ll become more
knowledgeable, and I will be able to
offer more to companies I license to and
or operate as much of the operation as I
choose to.”
Michael: Do you rent or put on the
rental market your mailing list?
John: Some of the companies that I’ve
licensed a product to may have, but I
personally don’t. There could be good
money into it. It’s a nice source of
additional revenue, and people are
always calling me and asking me for it.
I just haven’t done that yet, Michael. I
get a lot of junk email, and I get a lot
of junk mail, physical stuff that comes
in my mail box. It’s like, ‘I don’t want
this stuff.”
I tell the mailman, “Can I get rid of
this?” He says, “Yeah, you fill out a
form, and then it’s discontinued for a
while, but it’s going to come right back
three months or six months later.” So, I
don’t want to give to other people what
I don’t want myself. So, I haven’t done
that.
Michael: How important is the actual
packaging of your product when selling a
product on TV?
John: The packaging of the products on
TV doesn’t need to be that glamorous. In
fact, the less glamorous, the better
because you don’t want some fancy
colored box shipping through the mail or
the postal system because people are
going to see it. If it’s sitting out in
front of your office door or your
apartment or home door, someone is going
to snatch that thing.
So, it comes in what we call just a
brown box, a plain brown box. It will
have some markings to it. For retail,
the packaging is everything because
people are walking through there and
they have to be caught visually by this,
by the colors and if there’s models on
there which my picture’s on there. I
keep myself in shape, so I’m showing off
my six pack abdominals, and there may be
a nice looking shaping female fitness
model along with the bullet points, “It
will help you lose body fat and trim
your muscles, and comes with an eating
plan,” things like that.
So, all that is visually demonstrated on
the packaging for retail as the
exterior. The interior, again is another
everything type of thing because from
the factory to the warehouse to the
customer or to the retail shelf, there’s
a lot of shaking and bouncing and
trembling that goes on so, the inner
contents of the box need to be packaged
properly. When the customer opens the
box, they don’t want to go, “Oh, my
gosh, I need a chainsaw to cut through
all this stuff.” So, it’s got to be
packaged where the customer appreciates
how much effort went into protecting the
product, but at the same time, making it
easy for them to remove the product from
the box, and to get the product ready to
be used.
Michael: All the returned products, when
they come back to the factory, to the
company, what happens to all that actual
product, and how do you keep it from
being distributed into the close out
industry and having them end up being on
eBay and auction houses where it
decreases the value of your TV product?
John: Well, that’s two questions that
you asked me, and let me answer the
first one. The first one, the products
that come back to the warehouse, most
likely, they need new boxes, and we have
boxes that we put them in, the exact
box, unless the box is not damaged,
which most likely they are because there
may be tape on there. You know when you
pull tape off how it tears the cardboard
and stuff like that.
We look at the product, and we assemble
it. We have a inventory of spare parts,
and or piece from older products that
have come back. If that piece is bad,
throw it out. If that piece is still
good, let’s keep that. We refurbish
them.
Now, if we sell a refurbished unit or
resend a refurbished unit, the customer
has to know it’s refurbished. So, we’ll
let them know, and usually they get a
discount with that. So, again, it lowers
our profits. It costs us more to
refurbish a unit obviously than to
distribute a new unit, but we do have a
back up plan for returned inventory.
Now, your other question about the eBay
stuff, that’s something you can’t
prevent. These are second hand units. I
get people who have written me quite a
bit, “Hey, yeah, I own your product, but
I lost the manual. Can you give me a new
manual?” Or, I lost the DVD.
When you really figure it out, I’m just
giving an example here, but this happens
a lot. Here’s somebody who bought a
product from somebody who owned a
product from somebody else who owned a
product – second, third, fourth hand.
They bought it at a garage sale or a
yard sale, and all of a sudden, they’re
trying to get something from you. When
they tell you what they paid for it,
it’s like, oh my gosh, but you don’t
know what kind of condition it’s in.
I’ve seen exercise products, mine
included, on back balconies in the
Midwest where there’s snow on top of
them, and the rain and the elements and
stuff. It really degradates every single
piece of raw material on that product.
So, when you buy something secondhand,
of course, it’s not going to be as
valuable, and most people, as you know,
at yard sales or eBays or garage sales
and thrift marts are just saying, “Hey,
just give me anything for that. Just
give me pennies on a dollar.”
Michael: Does one who is consider
selling a product through television
have to worry about regulatory issues
and ABC agencies for instance the FTC,
and if so, what advice could you give
them before they launch their product on
TV?
John: To answer your question,
absolutely. I wouldn’t call it worry so
much. You have to worry if you produce a
project and put it on TV and then all of
a sudden, you find out, “Oh my gosh, we
are not fitting up to the standards of
the regulatory committees including the
FTC.” The FTC is a great group of
people, and you hear both sides. Some
people hate them. Other people enjoy
them.
I enjoy them because they keep my
project up to current standards. They’re
protecting the customer, number one,
which any type of business or any part
of life, it’s not about me. It’s about
we. It’s about what you’re doing for the
consumer that’s going to make your
business thrive. So, if this project has
been approved by the FTC, which the
attorneys within the alliance that I’ve
created are FTC privy, meaning that the
meet with, the attend seminars, and or
consult with FTC attorneys so they learn
the current rules and regulations, what
can’t be said, what can be said, can be
demonstrated, can’t be demonstrated,
things like that.
Then, when you put the project on the
air, you’ve got, again, up to a million
dollars invested in the infomercial.
You’ve got hundreds of thousands if not
more than that invested in media time,
your inventory, you’ve got a lot of
money invested. All of a sudden, you get
a notice saying you have to take that
show off the air or the TV network says,
“This show has been looked at by our
legal department and it’s not passing
current regulatory standards,” like,
“Why not?”
You’ve heard these infomercials saying
that they’re going to cure this or cure
that by just popping this pill or doing
this motion or whatever. Even if that
stuff is true, it’s so hard to believe
so you have to be able to substantiate
that.
So, do whatever it takes to legalize
your project so it’s something that once
you put it on the air and you get it out
there in distribution, you are
comfortable in knowing that it’s already
been approved. You get a letter from the
attorney who has approved it because
even before we go into production, the
attorney reads the script.
A lot of times, when I do an infomercial
I adlib because I know my product so
well, I don’t need a teleprompter or cue
cards or something like that, but at
least what bullet points I’m going to
hit, and once we edit the show, then we
send a rough content to the lawyer
listen to the show, watch the show, and
then they’ll come back with a bunch of
notes, “What did John mean about this?
Was this testimonial a paid
testimonial?”
You go through the checklist, and it may
take weeks. It may take months, but once
you get it right, then all of a sudden
you have the confidence to put your
investment out there.
Michael: How can one protect themselves
from product liability suits, and if you
are the licensure like you’re licensing
your product to a marketing company, can
you be personally liable in product
liability suits?
John: Your first question obviously is
to have an insurance policy, and you
have to set up a corporation for
yourself where you’re an employee of the
corporation. You’re exempt, but the
corporation is liable and you get the
insurance policy.
Again, within our alliance, we have
people who have specialized in TV
infomercial, retail products from a
liability standpoint. As you can
imagine, there is litigious things
happening all the time. So, you
obviously need to be protected.
When you license your property to a
company, they have their own insurance
policy, and they list you and or the
project as additionally insured, and
you’re indemnified for all litigious
actions. So, they will protect you.
You’re listening to an interview on
Michael Senoff’s HardToFindSeminars.com.
For more interviews like this, go to
HardToFindSeminars.com.
Michael: Talk about what you have
planned here in the future especially in
relationship to people who want to
become inventors or current inventors.
John: Michael, it wasn’t too long ago
where something like this, you asking me
questions internally, knowledgeable
questions, that I say, there’s no way I
want to share this with anybody because
this is valuable information that I’ve
gained over the years that has allowed
me to make me, my company and the people
I consult lots and lots of money. Some
people have become super rich as a
result of it, but I’m at the point right
now where my expertise, my alliance,
which I’ll explain in a second, and the
information that I have about this and
it’s not just me, again it’s the
alliance, that is a product.
I’ve been developing what you would call
an infomercial on infomercials. This
audio seminar that you and I have had
the opportunity to exchange with one
another is questions about infomercials
and or the business, and I want to share
that.
So, that to me has been very, very
important. Inventors and marketing
people and project managers and
producers and manufacturers have been
tugging me at the sleeves for years
asking me for help, for opinions, to get
involved, for me to license the product
for them, etc, etc.
So, now I’m in a position where I one
day step back and say, “John Abdo is not
and never has been a solo act. I’ve got
all these people from manufacturers to
engineers to prototype developers to
video production people to infomercial
buying people and all this stuff that
are part of the projects I’m involved.”
So, what I did, Michael, is I went to
all these people and I said, “Hey, how
about I promote your services, and you
give me access to the articles you’ve
written, to the videos, I’ll do audio
seminars like you dealt with me that
I’ll post on my website, and I’ll
promote you and your companies because
there’s people out there that need your
services, and are interested in that
information.”
So, I formed an organization called
NICA, the National Inventors Coaching
Alliance, and this alliance is headed by
me as the founder and CEO, but it’s
anybody and everybody who if you go to
stores right now, you’re going to see
their products on their shelves. If you
turn on TV right now, you’re going to
see their products being sold on TV.
These are the real people who are doing
real business, producing real results.
They are not consultants, per see. In
fact, you’ll never be able to get to
these people if you just said, ‘Hey, can
you give me a couple of hours of your
time, or an hour of your time. I’ll pay
you money.’ I know one guy who turns
down $20,000 one hour speaking
engagements because he just doesn’t want
to talk to anybody about his business.
He just wants to keep it all to himself.
For him, it’s the prudent thing to do
because he’s got a lot of secrets up his
sleeve, and everyone wants to work with
this guy.
I have access to him, and I could put
him on the website. So, NICA is a
NICAPro.org is the website. I’ll be
charging yearly memberships for people
who come in, and anybody who listens to
this, they could email me at
NICApro.org, and tell me that they
listened to the Michael Senoff
interviews with John Abdo, and they’re
going to get a major discount for the
yearly membership that gains you access
to all the questions that you’ve asked
me, Michael, but not only from my
perspective, from other people’s
perspective.
We’ll have patent attorneys. We do have
video production people, infomercial
marketers, manufacturers. It goes on and
on and on, and it’s a live site. It’s
not a stagnant site where when you go
there today and if you go back and visit
it two weeks from now, it’s going to be
the same stuff. It’s always being
updated.
In addition to that, say, “Hey, I want
to hire somebody or I want to work with
this company,” you submit your name to
the list. We forward your name to that
company who will ascertain whether or
not they feel that your proposal is
something they can work with, or they’ll
just contact you to hear your proposal
directly.
We’re going to do one on one consulting
like I have been doing as well as live
seminars. So, it’s going to be a very
diverse alliance that’s going to help
all self help people, not just
inventors. We even have professionals
within the industry who are part of the
organization because they want to learn
from the competitors and from the other
people that they have had short
opportunities to work with, or haven’t
had yet the opportunities to work with
but want to in the future.
Michael: I think that’s great because I
think inventors are dreamers, and they
can be very vulnerable and they can be
taken advantage of. I think an
organization like yours of trusted
advisors who have all been screened by
you will be a great benefit to the
inventors out there who have less
experience.
John: Without inventors, you wouldn’t be
sitting on the chair that you’re sitting
on. I wouldn’t be talking on the phone
I’m talking on. I wouldn’t be able to do
my morning business. I wouldn’t be able
to do anything without inventors.
Everything that you can see right now,
and for the rest of your day is a
thought turned into a thing.
We need inventors. We need the ideas.
The thing is the idea people aren’t the
marketing people most of the time. So, I
in here to cojoin the idea with the idea
maker, the star maker so to say, and
that’s what the alliance is all about. I
have always seen and shared a
commonality with all inventors.
We do know who to trust. We don’t know
where to go. We’ve been ripped off
before. We don’t know if we’re going to
get paid on all our units. We don’t know
if we’re making the right decision. It’s
fear, fear, fear, fear, distress,
distress, distress.
So, if you want to be the deer in the
headlights, then just continue being on
your own, and you’re not going to go
anywhere. If you join an alliance, you
will have the comfort, the security and
the confidence to move forward and to
expand yourself, and again, as I
mentioned before, start easy. Get
somebody interested in becoming the
licensee of your invention, but at the
same time, concur with that. Learn the
business, so now your next invention, or
the time when you say, “Guess what guys.
This thing’s going good. I’ve got
something else I want to add to this
project.” Then, all of a sudden, you
could add more and more and more.
It will snowball. So, I’m here to
protect inventors. I’m here to tell
inventors I love them. They’re my
brothers and sisters, and I’m
encouraging that because I thrive as
well as everyone thrives on innovation.
Without inventors, the world would not
be as fast, as save, as productive, as
happy as it could be, as it should be.
Inventors is what makes the world tick.
Michael: Well stated. That’s perfect.
That’s exactly right. I agree with you.
John, it’s been a journey. It’s been a
pleasure, and I’m really glad that you
invested the time with me to do this
because I know how valuable your time
is, and I know you probably turned down
a lot of opportunity just to rap
especially about all your secrets.
I think by you sharing these secrets and
sharing some of the lessons that you’ve
learned, I’m absolutely confident it’ll
come back to you tenfold even though
you’ve give so much away for free, and I
really want to thank you on behalf of
myself and all the listeners at
HardToFindSeminars.com, and whoever has
the fortunate opportunity of listen to
your story.
John: Michael, it’s been my pleasure. I
consider this a supreme opportunity
especially now admitting that it’s time
for me to let the cat out of the bag.
People have been pulling me at the
sleeves, and like I said, a while ago
it’s like I can’t tell anybody this
stuff. This is internal secrets, but now
I’m able to tell that to you because
this is going to be a revenue generator
for me because I have organized an
alliance that’s going to help inventors
help themselves, and hopefully make this
world a better place to live in.
That’s the end of our interview with
John Abdo. I hope you find this helpful,
and I know we’ve covered a lot of stuff.
This is definitely the type of
mini-seminar you want to listen to three
or four times. There’s so much good
information here that there’s no way you
could’ve absorbed it in just one
listening. Print out the transcripts
there. Make sure you check out John at
JohnAbdo.com, and get going. I hope this
interview has given you the
encouragement to go for your dreams and
you become that next million dollar
inventor. Thanks for listening, and be
sure to check out my other interviews at
HardToFindSeminars.com. |